New Edition: Pop World – Sisterhood and Other Stories

Impressionable 18-year-old girls would do anything to become famous pop idols – even if it meant becoming dehumanised sex objects for millions of horny fans…

The hit All These Roadworks novella Sisterhood is back – in the best version yet! The new second edition of Pop World – Sisterhood and Other Stories delivers this red-hot story of exploited teen idols in an attractive new format, with fixes and improvements, along with all-new bonus content!

(Check out Pop World: Sisterhood in the All These Roadworks store!)

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For the five members of new girl group “Sisterhood”, it was their wildest dream come true.  Their manipulative manager Calvin guaranteed them a hit single, a successful album, and worldwide fame.

But they soon learned that pop music was a cut-throat business, and to be successful they had to be packaged as a product – a sexual product.

Their costumes were lewd, and they were expected to show their tits and spread their pussies if it would help sell more albums.  Their songs were perverted, and the lyrics required the girls to beg their fans to violate them.  And their overall brand taught their female fans to be submissive, obedient sluts for the pleasure of men.

The girls of “Sisterhood” found their dreams turning to nightmares – but no matter how far they sank into sexual submission, there was still no escape from sadistic clutches of their cruel manager…

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The first edition of Pop World – Sisterhood came out in December 2020. The new 2nd Edition is roughly 2,000 words longer, with a hot new cover and text improvements throughout.

Here’s the full list of changes!

  • New cover art!
  • Typo fixes and story expansions throughout.
  • New bonus story – “The Fan”, originally intended as the first chapter of a Pop World sequel.
  • Reworked bonus content – The cover art for the fictional album “Kitten Licks” has been reworked to comply with Smashwords terms of service to allow the book to be consistent across all storefronts.

If you have previously directly purchased Pop World – Sisterhood from AllTheseRoadworks.com, you can download the new version for free using the download link from your original purchase.

Paid ATR members for the month of October 2024 can find a free copy of the new edition of Pop World – Sisterhood in Dropbox.

It is anticipated that this book will be added to my catalogue on Smashwords within the coming week, for those who prefer to buy me there.

The Collector’s Bundle #4 (link) has also been updated with the latest version of books 31 to 40 (including the recent new editions of Emma’s Policy and Pop World). Customers who have previously purchased Collector’s Bundle #4 can get the new version for free using the download link they received at time of purchase.

(Get your copy of Pop World – Sisterhood in the ATR store!)

Impressionable 18-year-old girls would do anything to become famous pop idols – even if it meant becoming sex objects for millions of horny fans! Check out the new edition of "Pop World - Sisterhood", available now in the ATR store!

Story: Sex Kitten to Sex Cow

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Other Pop World Stories:
The New Pop Idols | Pop Star to Porn Star | Sex Kitten to Sex Cow | Talent Show to Teen Rapedoll

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Pop music had always sent teen girls confusing and contradictory messages.  And ever since teen pop idol and sex symbol Sophia had let her manager rape her on stage before a live audience of tens of thousands during her “Coming of Age” tour, the world of pop had become even stranger and more sexually charged.

Girls were horrified by the instantly iconic footage of Sophia being vigorously fucked in her pussy on stage by an older man while continuing to sing her hit songs, and then concluding her performance after he orgasmed with his sperm visibly dribbling down her legs.  That horror was intensified by subsequent interviews where Sophia confirmed the sex had been totally non-consensual – “But that’s okay, because I deserved it – have you seen how I dress?”  There was a fixed smile on Sophia’s face as she said this, leading many to speculate that this statement, too, was not her own choice, but at the end of the day no one much cared – “naughty teen fuckpuppet porn star” was a much more palatable idea than “teenager abused in public”.

But even as girls were repulsed by this girl their own age being raped on camera, they couldn’t help but notice how much attention their male friends paid to Sophia, and how she featured in so many of their fantasies.  And not just their friends – their fathers, and teachers, and brothers.

And Sophia was glamorous.  She had her own perfume line, her own lingerie line, her own revealing teen fashion line.  “Don’t you want to be like Sophia?” the advertising asked seductively.  “Don’t you want to be as rapeable as Sophia?”

And girls answered with how they spent their money: a resounding “yes”.

It was into this world that 17-year-old Yvonne Wells was signed to Leash Records label.  She had a strong singing voice – but more importantly, she had an angelic face; firm, swelling tits; and the unwitting aura of mixed flirtation and victimhood that immediately inspired thoughts of rape in anyone who saw her. 

Her contract agent, Russell, explained to her that the plan was to package her as a star.  The label would buy her songs to sing, design outfits for her to wear, and book her concerts and media appearances – all she had to do was look pretty, stay on-brand, dance, and sing.

“Oh, and one last thing,” he said, “we need to do something about your name.”

“What’s wrong with my name?” asked Yvonne.

“It won’t sell,” he said.  “It’s not on brand.  You’re going to be ‘Sex-Kitten’ now, okay?  Just one word, like Prince or Madonna.  I’ve drawn up the paperwork to make it legal.”

“Yvonne” felt a twinge at giving up her name – but there were still stars in her eyes, and the conversation was all happening in the back of a limousine as she drank expensive champagne – and so she signed, forever changing her name to Sex-Kitten.

She spent the next months recording her debut album, “Kitten Licks”, and filming the videoclips for it. 

The first single was “I Get What I Want”, in which she sang about cockteasing men to get her way.  In the videoclip, she scampered around in a sexualised schoolgirl outfit, twitching a short skirt that barely covered her butt, and seductively emphasising the way her tits were bursting out of her white button-up shirt.

My daddy wants a good girl
a special little pet
But this Kitten wants a sportscar
And what I want, I get.

Half-naked in the yard
I make my daddy hard
I play my cocktease card
… and I get what I want.

Over subsequent verses, she cockteased her teacher for good grades and a police officer to get out of a speeding ticket, until in the final verse an attempt to cocktease a man in a nightclub goes badly for her when he follows her into the women’s toilets.  The videoclip showed him pushing Sex-Kitten into a toilet stall, the door closing behind him, as Sex-Kitten sang the final words of the song.

And in the end… I get what I *deserve*
(whispered) … and it makes me cum.

The title track, “Kitten Licks”, featured a video where Sex-Kitten licked sensuously at a series of lollipops – each time while kneeling very close to a standing man, her head near his groin.

Good girls give kitten licks
Good pets are men’s top picks
Use my tongue to please a man
Do the thing that all girls can

The third single, “Punishment”, featured Sex-Kitten lying over the knee of a suit-wearing man, her skirt pulled up to reveal a tight G-string that covered her butthole and not much else.  The man rhythmically spanked Sex-Kitten’s ass in time to the music as she sang.

I’m too dumb to behave without…
… punishment.
I’m just lust’s slutty slave without…
… punishment.

I’m a whore and a twit
I think with my clit
my cunt and my tit
unless I get hit
… like we both know I deserve
I need punishment.

Sex-Kitten had trouble with this clip.  The spanking, she discovered, would be real – and it hurt.

“I don’t care,” Russell told her.  “Your ass will keep getting hit till we finish filming.  You don’t have a contractual right to say no.  If you’re finding it hard, my advice to you is to masturbate.”

“Masturbate?” asked Sex-Kitten, blushing.

“It releases endorphins.  Masturbate between takes, and you might even find the spanking fun.”

Sex-Kitten was far too star-struck, naive, and vulnerable to say no to Russell, and she took his advice and blushingly fingered her pussy inside her private trailer as they set up the cameras and lighting for the next take.  When she came back out, her face was flushed and her cunt was wet, and that made all the difference in the world.  Suddenly the spanking was maddeningly pleasant, and the way it drove her pussy down against the male actor’s knee was very distracting, and to the entire crew’s intense pleasure (and Sex-Kitten’s humiliation) she ended up orgasming on camera right on the final line of the song.  The camera captured every detail of her facial expression as it shifted from slutty vacant need to sudden horrified awareness of what was about to happen, and then mixed ecstasy and overwhelming shame as the orgasm took her.

They used that image as the cover of the album, and Punishment shot straight to the top of the charts. 

Sex-Kitten was a star – and that’s when the reality of it all came crashing home.

As she’d been recording the album and filming the clips, it hadn’t felt real.  The suggestive lyrics and videos were a bit of naughty fun.  All pop stars did it. 

But suddenly her face was everywhere – on billboards, on the internet, on TV.  She was popular, and her music was selling – but with popularity comes an inevitable backlash, and her brand made her so easy to criticise.

One of the remaining prestigious hardcopy music magazines ran her face on the cover, with a huge glaring headline – “SLUT”.  A leading pop culture internet site ran an article on her entitled, “The Face of Rape: How Sex-Kitten made raping teenagers cool again.”  She learned to her horror that “kitten rape video” was becoming a leading Google search term, and the porn industry had gone to work with a legion of lookalikes, Photoshops and deepfakes to satisfy a national interest in jerking off to photos and videos of her being raped, ejaculated on, and tortured.

She watched as her name and face became synonymous with the archetype of the shallow, brainless teen cocktease.  She heard multiple stories on the internet, on talkback radio, on television, of fathers finding their teen daughters suddenly being sexually provocative towards them.  Two high profile cases of men who fucked their daughters after weeks of sustained and focused cockteasing resulted in acquittals after the juries found it was unreasonable to expect the men to continue to resist, and then afterwards the government passed “Sex-Kitten’s Law”, which protected men from claims of incestuous rape where evidence existed of a sustained campaign of sexual provocation, and made it legal for a man to spank or beat his daughter – including on her breasts or pussy – in order to discipline her for whorish behaviour. 

Sex-Kitten felt horrified and ashamed and consumed with guilt that her behaviour had caused all of this.  She begged to be let out of her contract and go home, but Russell reminded her that she owed the label four more albums, and reminded her that not only would she have to pay back all her profits if she broke the contract, but the label could sue her parents into bankruptcy as well.  Reluctantly, Sex-Kitten agreed to continue on.

Her second album was “Breed Me Like A Bitch”.  Sex-Kitten hated the name, and threw a tantrum, demanding something “nicer”. 

Russell responded by taking the starlet to his office, pulling her down over his knee, raising her skirt, pulling down her panties, and beginning to beat her ass with his hand.

“You can’t do this!” she protested, trying to pretend her pussy wasn’t getting wet.

“I can,” he told her.  “Your contracts give me parental authority over you, and it’s now legal to discipline you this way.  If you don’t be a good girl and get with the program, next time I’ll beat your cunt.”

She wailed and cried – but he kept spanking her, until eventually, as they had both known she would, she orgasmed, and after that she couldn’t look at him without feeling full of shame, let alone protest, so the album name stayed. 

However, by way of compensation, he gave her a bottle of pills.  “When you feel bad about anything, take one of these,” he told her, and got her to take one on the spot. 

The pills were slightly addictive, and each one produced mild euphoria, tranquility, and arousal.  In short, they made her happy, stupid and slutty, and from that day on Sex-Kitten rarely went 24 hours without taking one.

The first single off the new album was “Virgin”, in which Sex-Kitten sang about how she’d sucked cocks, danced stripteases, given men handjobs, fingered her anus, and stuffed objects into her pussy, but she was still a virgin because she’d never had a cock in her pussy.

I’m still a virgin
I’ll tease to please but I won’t give it up
You’ll have to take it
You’ll have to rape it

Sex-Kitten initially rebelled at the videoclip.  In it, she was kneeling, knees apart, wearing a bikini.  The bikini briefs had a bullseye over her pussy, and the words “Rape Goes In Here”.  Over the course of the video, anonymous men (only visible from the waist down) came up to her, masturbated, and ejaculated onto her.  After the first verse, a big titted woman came up behind Sex-Kitten and removed her bikini top, exposing her tits.  Through it all, Sex-Kitten stared sluttily into the camera, ignoring everything happening to her, even after one man ejaculated right in her eyes.

Sex-Kitten didn’t want to do it, and this time Russell actually had to beat her pussy – in front of the entire camera crew.  Sex-Kitten yelled at the top of her voice – but she came not once, but twice, from having her pussy abused, and after that she was too ashamed to object further.

Sex-Kitten actually messed up the first take, losing her place in the song when the man ejaculated in her eyes.  The scene had to be cut and reset.  Sex-Kitten wanted to wash off, but Russell told her to stay where she was, and instead had the big-titted extra who had removed her bikini *lick* her clean.  Sex-Kitten went bright red as the gorgeous bimbo licked the cum off her face, shoulders… and tits.  Her breathing quickened as the woman’s tongue flicked her nipples, and Sex-Kitten’s involuntary moans made the whole film crew chuckle.

On the second take, Sex-Kitten did better, and made it all the way to the end.  The crew called a wrap, but still Sex-Kitten wasn’t allowed to clean off, and was made to stay there, dripping with cum, as a range of people walked through the set – music execs, lawyers, and a few fans.  Russell made her talk to some of them, and Sex-Kitten tried to act as if she wasn’t mostly naked and covered in the sperm of a dozen men.  She felt sub-human.  Nice girls didn’t do this.  Only sluts like her. 

Many of them men she talked to made references to her lyrics.  “Are you really still a virgin?  I can’t believe no one’s raped you yet.”  “Are you looking forward to being raped?”  “You really do deserve punishment – and I hear you cum from it…”

Finally, she was allowed to let the bimbo lick her clean again.  The bimbo insisted that some of the cum had soaked into the crotch of Sex-Kitten’s panties, and so, despite Sex-Kitten’s protests, the bikini briefs were removed – still in front of the entire film crew – and the bimbo began licking Sex-Kitten’s pussy clean – which resulted in a final humiliating orgasm for Sex-Kitten.

Russell let her know later that the encounter had been captured on film, too, and distributed among the film crew for their personal collections.

The second single off the album was “Take Me (My First Violation)”, and Sex-Kitten felt nervous singing it.

Take me
When you want me
Take me
When I’m slutty
Take me
When I say no
When I won’t go
When I don’t know

Just use force
Give me my first violation

I’ll struggle so it’s fun
I may even try to run
It doesn’t matter what I’ve done
Just take me
Make me
Rape me
It’s what I was born for.

And she was right to feel nervous, because the label had a very high concept idea for the videoclip for this one.  For a week before shooting, they dosed Sex-Kitten twice daily with aphrodisiacs, but never left her alone or allowed her to masturbate.  By the time of the video shoot, she could think of nothing but her cunt, and was constantly pleading with Russell in a desperate, whiny voice to be allowed to masturbate, which he ignored.

They stripped her naked, and put her in a gynaecological chair, her legs spread apart and locked in stirrups, her hands tied tightly to her sides.  Then a man came in.  Sex-Kitten recognised him as one of her schoolteachers – a creepy man, who she had hated, and had never made her feel anything but uncomfortable.  He grinned at her, and Sex-Kitten squirmed.  She didn’t know how they had found this man, but it was clearly to deliberately elicit a reaction from her.

Then he adjusted his pants, and exposed his erect cock.  Sex-Kitten’s eyes bulged as she realised what was about to happen.  This man was going to take her virginity!  And she was horrified by the thought – but at the same time, she wanted to cum *so badly*… maybe it wouldn’t be so bad.

Then Russell said, from somewhere off behind the cameras pointed at her, “Just so you know, Sex-Kitten, we’ve replaced your birth control with sugar pills for the last month, so you’re very fertile right now.  Oh, and I bought a Taser – it delivers very nasty electric shocks – and for each time you orgasm during this film shoot, I’m going to discharge it directly into your pussy afterwards.

Sex-Kitten’s eyes went round like saucers.  She immediately began to struggle desperately.  She didn’t want to get pregnant!  She didn’t want to be raped!  She didn’t want a Taser used on her pussy!

But she had nowhere to escape, and her teacher stepped up and effortlessly sank his cock into her virgin pussy.

“We tried to get your father,” Russell explained, “but he wasn’t quite ready to take money to rape you yet.  Maybe after he sees this he’ll change his mind.”

Sex-Kitten put on exactly the show the record label had wanted.  She screamed, she struggled, as she had her virginity taken by rape – but she was also visibly aroused the whole time, and orgasmed again and again and again as her teacher violated her.  Her sexy, soulful singing would be layered over the top of the final video, adding to the implication that all her protests and struggles were just an act to increase the pleasure of her sexual partner.

Finally, Sex-Kitten’s teacher came inside her, filling her fertile womb with his cum.  As Sex-Kitten lay there sobbing, her teacher pulled out, then Russell walked up – and fired his Taser into her pussy.  Sex-Kitten squealed, and as her cunt muscles twitched uncontrollably, Russell took his own turn fucking her.

Then, one by one, the rest of the crew took a turn with her.  Russell fired his Taser into her pussy before each one started.  She’d actually orgasmed more times than there were crew members, so Russell told her he’d save the last five or six shocks for another day, or whenever he thought it might be fun to give her one.

By the end, Sex-Kitten was barely conscious, with a dozen loads of cum slowly trickling out of her womb and dripping to the floor.  Russell called in the same bimbo from the “Virgin” shoot to lick Sex-Kitten clean, and the big-titted whore knelt between Sex-Kitten’s legs from some time, licking her clit and drinking the sperm that flowed out of Sex-Kitten’s fuckhole.

After all this, Sex-Kitten had little resistance left for the third single off her second album, “Breed Me Like A Bitch”.  The song lyrics suggested that women were domestic pets who had no rights, while simultaneously suggesting that Sex-Kitten had fantasies about being raped by animals.

In the videoclip, Sex-Kitten was naked in a wading pool, wearing a dog collar with a nametag that said “Fuckpuppet”.  The final video interspersed shots of Sex-Kitten on all fours, being fucked from behind by men wearing dog masks, pig masks, bull masks and horse masks, with shots of masked men ejaculating into the wading pool.

By the end of the first phase of the shoot, nearly a hundred men had ejaculated into the wading pool, and to this the producers added a white milk mixture that they told Sex-Kitten was a mixture of animal semen and a neutral medium, resulting in a small wading pool full of sticky white sperm-like liquid.

Then they made Sex-Kitten push the liquid up her pussy, masturbating it into her until she had reached several orgasms.  They spliced this footage throughout the video, showing Sex-Kitten eagerly impregnating herself with anonymous sperm.  And then finally they had Sex-Kitten wrestle the blonde big-titted bimbo – she still didn’t know her name – in the pool of cum, drenching both of them, before 69ing each other to orgasm amongst the sperm.  Sex-Kitten had never licked a woman’s pussy before but by this point it was easier to concentrate on the pleasure of the bimbo’s tongue on her own clit and try and tune out the overwhelming shame and humiliation of the whorish things she was doing.

As Sex-Kitten had known, by the end of all this she was pregnant.  The record label insisted she keep the baby – it was great publicity – but she wouldn’t show for a while, and in the meantime she had a concert tour to do.

Sex-Kitten’s public image had smoothly transitioned to national whore.  Russell delighted in bringing Sex-Kitten statistics showing how sexual assaults went up whenever she released a new single; how girls sang along to Sex-Kitten’s lyrics at nightclubs until their male friends raped them – and then went back and sang the lyrics again, because they were just that catchy.

A national survey showed that 79% of men believed that if a woman struggled or said “no” during sex, she was doing it to increase his sexual enjoyment, and 68% of teen girls agreed with the statement “rape is what I was born for”.  73% of girls also believed that they were probably more enjoyable to fuck when they weren’t consenting, and 67% of men believed that women preferred to be raped than to have consensual sex.  Overwhelmingly, in discussion of what led to these attitudes, people would refer to Sex-Kitten and her songs.

Sex-Kitten practiced hard for the dance choreography for her concert tour.  She would be performing naked, with weights hanging from clamps on her tits and clitoris.  Her every move made them swing and bounce agonisingly.  Her choreographer recommended that she practice bouncing up and down on the spot and masturbating, so that she’d come to associate the pain with arousal, and that did make it easier – soon her body began naturally responding to agony in her breasts and pussy by making her horny.

She also learned dance moves that involved spreading her pussy lips open; dancing in sync with a man who had his cock in her pussy, so that his cock wouldn’t slip out; and a move called “milking the cow” that involved squeezing her own tits so hard it hurt.  At the halfway break in each concert, the stagehands would ejaculate on Sex-Kitten, and she would go back out with cum dripping off her face and tits. 

She finished each concert with a slow, sultry cover of “Rape Me” by Nirvana, as the nameless bimbo licked her pussy in front of all of her fans, inevitably rasping out the final lyrics through a series of powerful orgasms.

After the concert, Russell would lead in a series of male fans who had paid a huge premium for “VIP tickets”, and Sex-Kitten would be expected to sexually service them, although in practice she usually had little agency – she had primed every male in the world to want to rape her, and when they had the chance they were usually quick, cruel, and vigorous in doing so.

The cover of Sex-Kitten’s third album featured her naked, with a now swollen pregnant belly, engorged tits visibly leaking milk, and a collar with a large cowbell around her neck.  Her face was lost in an expression of lust, one hand was squeezing milk from her left tit, while the other was needily fingering her pussy.

The title of the album was “My Body, Your Choice”, and in the title song Sex-Kitten urged men to take rights away from women.

If my tits are disappointing you then fill them full of plastic
So big that they humiliate me, I think that that’s fantastic
Dye my hair, I don’t care, blonde jokes make me wet
Plug my butt with a kitten tail and leash me as your pet
My body.  Your choice.
Men know best.  I’m just a whore.
My body.  Your choice.
I don’t deserve rights anymore.

The second single, “Woman’s Lament”, didn’t have any real lyrics.  Instead, Sex-Kitten was made to moo like a cow to the tune of the music.  The videoclip featured real footage of Sex-Kitten being painfully and agonisingly milked by rolling her tits between two rolling pins, and orgasming from the pain.

And the final single, “Do I Look Like I Deserve Respect?” was a long, slow ballad in which Sex-Kitten reflected on all the whorish things she’d done so far in her career, and told the audience that no one who’d done those things deserved to have opinions, or be listened to, or respected, and finished by telling them that every last woman they knew secretly fantasised about the same things, and therefore didn’t deserve respect either.

And as a final, humiliating capstone, the filmclip used footage of Sex-Kitten actually giving birth to her baby – completely naked, in hospital, with her tits in bondage, clamps on her nipples, her hand desperately playing with her clitoris as her cunt dilated to deliver her baby – and her father, who had finally come around to the view that his daughter no longer deserved his respect, standing at the head of her bed, his cock in her mouth as she suckled submissively

The filmclip ended on a piece of footage shot in an interview right back when Sex-Kitten had started her career, before her first album had launched, in which she was innocent, bright-eyed, and excited to enter the world of music.

“I think the thing I want most,” she enthused to the camera, “is to be a role model for other young girls, and let them know that if they don’t give up, their dreams really can come true…”

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Yvonne's career as a teen pop idol leads her down a path of degradation and humiliation.

Story: Pop World – Sisterhood, Part 7

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Previous chapters of this story:
One | Two | Three | Four | Five | Six

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The release of Sisterhood’s first music video was the worst night of the girls’ lives so far.

The four girls had been so focused on fame, on musical success, and on pleasing Calvin that they hadn’t allowed themselves to dwell on the fact that the world was really going to *see* their music video.  But once it was released, that reality came crashing home to them.

Leah was finding it increasingly difficult to concentrate on anything except her tits these days.  Calvin had put her on a vigorous five-times-a-day milking program, using an industrial milking machine.  The process of having her tits violently sucked on by a machine left them constantly sore and painful – but even worse, the more she was milked, the more milk she produced, and now she found she *needed* to be milked at least three times a day to avoid the pressure in her udders becoming unbearably painful.

On the night of the music video’s release, Leah’s friends held a watch party for it.  Leah hadn’t told them she was called “Sex-Cow” now – although they had noticed the swelling in her breasts with interests – but Calvin insisted on her dressing for the event in cow accessories, including a cowbell, cow-ear headband, and cow-print gloves for both her hands.  The gloves ended in fake hooves, preventing her from gripping anything or using her hands properly, and Calvin locked her into them with small padlocks, preventing them from being removed.

There was laughter when she showed up at the party, but even more laughter when the music video started to play and they saw Leah in it, dressed much as she was at the party, except with her tits and cunt completely exposed.  The camera showed merciless close-ups of Leah’s shaved pussy – visibly wet – and her giant udders – with milk leaking from the nipples.

Mooo!  My name is Sex-Cow
My udders are so big
I’m a stupid sexy pig

Mooo!  I want to show how
If you hurt my tits it’s fun
You can cover them with cum. 
You can treat me like I’m cattle
You know I’ll never tattle
That I’m a lesbian’s no lie
But you can rape and milk me till I cry

In the video, Leah danced and wobbled her giant tits around, and the footage of this was intercut with a scene of Leah in an erotic tangle with the other girls of the group.  Fuckpet knelt between Leah’s legs, licking her pussy, while Little Miss Rape stood behind her, licking her neck, reaching around to squeeze Leah’s udders.  Cocktease stood in front of her, alternately slapping and punching Leah’s tits as Little Miss Rape Squeezed them, and on each hit milk squirted from Leah’s nipples.

Leah could barely remember filming this.  She hadn’t wanted to, but Calvin had shown her the footage of all the girls raping Cocktease and threatened to take it to the police, then made them all rub their cunts to the edge of orgasm until they could hardly think straight.  By the time this degrading scene had been filmed, Leah was barely aware she was in front of cameras.

Her friends put the video on repeat, looping endlessly on the large TV, and passed around alcoholic drinks.  Leah wanted to leave, but her friends were insistent she stay.  As the night went on, everyone got drunker, and most of the girls left, and then the inevitable happened – someone wanted to see her udders, and when Leah tried to say no, her shirt was lifted without her consent, and then ripped off, and then her skirt and panties were removed too, and before Leah could even try to escape, she was being gang raped.

Boys who had once been her friends stuffed their cocks into her pussy, her mouth and her ass without her consent.  She moaned, and tried to please them, scared of what they might do if she didn’t, and to her relief her body responded by becoming aroused, conditioned by her recent practice to mindless sexual readiness.

By the end of the night, Leah didn’t have male friends anymore – only rapists.  And she knew they would try to rape her again, and she knew she would let them.

During the night, some of the boys had squeezed or milked or tits, and this had made Leah moan with gratitude and lust.  Some had punched her in the tits, like in the video, and this had been even more arousing.  

But when morning came, and Leah woke on a couch, wet with cum, her cunt and ass aching, her most pressing need was still there.  Her tits were full, and she needed to be milked.  She tried to milk herself, but the cow-hoof gloves were still locked to her wrists, and she couldn’t squeeze herself hard enough.  She couldn’t even get dressed, with the gloves on her wrists, or use her phone to call for help.

But she didn’t need to.  When she looked out the windows, there was a car waiting outside for her.  It was Calvin.  She ran out of the house to him gratefully – still nude.

“I need my udders milked,” she said, blushing, as she reached him.

“We’ll take care of that, Sex-Cow,” said Calvin.  “Your music video was a hit.  You’re a star now.  Get in the car.”

She moved to enter the passenger seat, but he stopped her.  “No,” he told her.  “Cows don’t ride in the people seats.”  He opened the boot.

She looked up at him in despair – but she knew he was right.  She was nude, covered in the sperm of her friends, and desperate to have her tits milked like an animal.  She didn’t deserve to travel like *people*.  Humiliated, defeated, she climbed into the car boot, and let Calvin close it with her inside.

She already knew that Calvin was *not* going to take the cow-hoof gloves off her when they arrived at his place – now, or possibly ever again – and that she was going to need a man to milk her from now on every time her tits got full.  A part of her hated Calvin for doing this to her – for turning her into this – but a part of her felt that maybe this had always been her destiny, from the day her tits had grown to such a slutty size, and felt absurdly grateful to Calvin for being willing to milk her and take care of her….

===

Mary-Beth was forced to watch the video with her family and her church community.

She tried to avoid it, but they knew she was recording a pop-song, and they wouldn’t countenance the idea of doing anything other than showing their support on the night of the music-video release.

There were nearly 30 people crammed into her parents’ living room as the video started.  And the gasps began almost immediately.  There was there darling, virginal Mary-Beth, completely naked except for crucifix nipple and clitoris clamps, calling herself “Little Miss Rape”, spreading her pussy and lezzing off with other whores.

Little Miss Rape is my given name
Lesbianism is my slutty shame
My mother says I’m going to hell
Because I lick her cunt so well 

I need a man to set me straight
It’s better if it’s one I hate
You need to stick your cock in me
To rape me, cure me, set me free

On screen, Mary-Beth fucked her pussy with a large crucifix-shaped dildo while Sex-Cow knelt behind her and tongued her asshole.

The reaction when the video was over was icy, horrified silence.  Mary-Beth felt herself dying inside, dying of shame and guilt and self-loathing over what she had done.

Her father looked at her, and said only one sentence.

“Get out, you disgusting little whore, and don’t ever, ever come back.”

Mary-Beth fled, crying, into the night.  She didn’t know where to go.  She didn’t know what to do.  She found a park, and ripped off her clothes, and began slapping her cunt and her tits with her hands, trying to punish herself for being such a disgusting slut.  The pain just made her wet, and soon she was just masturbating, fingering her pussy, naked in a public park.  She pictured how good Leah’s tongue had felt against her anus as she did so.  She remembered the taste of Cocktease’s cunt when she had raped the poor lesbian.  She remembered Fuckpet licking her pussy.  And she orgasmed again, and again, and again, crying the whole time.

When she was done, she knew there was only one option.  No one she had known in her old life would have anything to do with her now.  To her family, and her church, and her friends, she was now nothing but a lesbian whore.

There was only one person who would take her in.  He would abuse her, of course, and probably rape her – but didn’t she deserve to be abused and raped?  A girl whose own father had – correctly – called her a disgusting whore?

She took out her phone and called Calvin.

===

Katy knew what was about to happen.  She didn’t watch the video with friends.  She just hid in her apartment on the night of the music video release.

As it became public, her phone began to buzz with texts and messages.  They were from her friends in the lesbian community, expressing horror and disgust at her betrayal of them, of her identity, of her dignity.  Katy knew she was done with those friends.  They would never accept her again.

After a while, there was a knock at the door.  “Katy, let me in!” said a male voice.  “It’s Brendan!”

Katy felt a surge of relief.  Brendan had been her friend since primary school.  He had known her since before she identified as a lesbian.  He wouldn’t care about what she had done.  She hurried to the door, and let him in.

“So I saw the video,” he said, as he came in, and sat beside Katy on the couch.

“I know,” said Katy.  “I’m so sorry.”  She felt tears welling in her eyes.

“It’s okay,” said Brendan, in a soft caring voice.  And then he continued – and his words made Katy freeze in horror.  “You know, if you had rape fantasies, you only needed to ask.”

Her eyes widened.  “No, I…” she began.

“Sshh,” said Brendan – and slapped her across the face.  He pushed her down on the couch, and began to rip at her clothes.  Katy struggled, but Brendan was bigger and stronger, and she felt her clothes tear, exposing her breasts and pussy.

“Sing your verse for me,” he told her, as he unzipped his fly.

“Nooo….” Katy moaned – but Brendan slapped her, and slapped her again.

“Be a good Cocktease for me,” he said.  And Katy had no choice to comply.  She began to softly sing her verse of the song as Brendan sank his erect cock into her unwilling lesbian pussy.

Call me Cocktease – that’s what I am
I say I’m gay – it’s just a sham
My lips say no – but disregard
I just kiss girls to make you hard 

I want you to force me
Just like you should now
And when you rape me
It feels so good now

I only fuck my sisters ‘cos I’m craving dick
It’s only being raped that makes my pussy slick
And I will cocktease you until you use me – use me
Go on and abuse me

And to her horror, she got wet.  She had always been wet when she sang that song – Calvin had made them masturbate so often – and she found that the mere act of singing it caused her pussy to become aroused, even as she was being non-consensually raped.

It’s just the song, she told herself.  It’s Calvin.  It’s Calvin’s fault.

And she could tell herself that.  But when Brendan began to fuck her harder, and spit in her mouth, and slap her across the face, and then eventually shuddered and spurted his cum into her unprotected womb, she had no explanation at all for why she orgasmed along with him.

When Brendan departed – leaving Katy crying nude on the couch, his cum leaking from her pussy – he left her front door open, and a short time later Calvin entered.  He lifted her from the couch, and she made no attempt to struggle, and he carried her out to his car, and put her in the boot.

“I orgasmed,” she told him, looking up at him from the boot with big, vulnerable eyes.  “I orgasmed when he raped me.”

“I know,” said Calvin.  “I’ve always known you would.”

“I deserve this,” she said.

“Yes,” he agreed, and closed the boot.

===

When all the girls were gathered at Calvin’s apartment, they joined Fuckept, who was already there.  Her training collar had all but removed her ability to speak, and left her almost wholly unable to interact with the world normally.  She had moved in with Calvin some days ago, and had spent the debut of her music video sucking on Calvin’s cock as Calvin stroked her hair.

“Congratulations on your musical success, girls,” he told the four women.  All of them were nude, all of them submissive, defeated, finally stripped of their notions that they didn’t deserve constant violation and degradation.  

“Thank you, sir,” chorused the girls.  

“Sex-Cow and Cocktease, you’ve both just been raped.  Why don’t you go ahead and lick the rape-cum off each other and get all cleaned up?  Meanwhile, Mary-Beth, I don’t think it’s fair that your friends have been raped but you haven’t, would you agree?”

Mary-Beth was crying again.  “Yes, sir, I deserve to be raped,” she said.

“Good girl,” said Calvin.  He bent her over the lounge, in a position where he would have a good view of the other girls licking their rapists’ cum out of each other’s snatches, and sighed happily as he slid his penis into her virginal cunt.  It was wet, of course, and it spasmed enjoyably around each cock with each sob as Mary-Beth cried.  

“I think you’re all going to enjoy your new homes,” he told the girls as he violated Little Miss Rape.  He gestured to the wall of the apartment, where a row of four wire cages had been set up.  Each was only just big enough to hold a girl, on all fours, and each had thick dildos at the front and back.  A girl inside would have to be impaled on them to fit within, one in her mouth and one in her cunt.  Nameplates were affixed to each cage – Sex-Cow, Cocktease, Little Miss Rape and Fuckpet.  

“Thank you, sir,” sobbed Mary-Beth, who knew it was exactly what she deserved.  Sex-Cow and Cocktease would have said the same, had their mouths not been busy.

“Fuckpet, why don’t you sing your verse for us while I rape your sister here?” asked Calvin.

And Fuckpet obediently did, singing the only words she was allowed to use now.

Meow meow meow meow.
Meow meow meow.

===

If you enjoyed this story, please support me to continue creating new, free erotica by making a purchase from the ATR store! (Click here to view the store.)

===

New story! The finale of "Sisterhood"! The girls' first music video gets released - resulting in international degradation. - (Read it here.)

Story: Pop World – Sisterhood, Part 6

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Previous chapters of this story:
One | Two | Three | Four | Five

===

“Could you spread your pussy just a little bit wider for the camera, babe?” asked the cameraman – only it wasn’t really *asking*, it was more *telling*, and it was clear that “no” wasn’t an acceptable answer.

It was the day of Sisterhood’s first music video shoot, and Mary-Beth was struggling to remember her own name, so she wasn’t in a good position to argue anyway.  No one had called her anything but “Little Miss Rape” all day – or sometimes “Rape-Girl” for short, and she was horrified by how quickly she had gotten used to answering to it.  

Also, she was nude – or practically nude.  She wore white thigh-high leather boots with six-inch heels.  The place where they stopped – halfway between her knee and her groin – just emphasised that her pussy was completely bare and exposed.

She had matching white leather gloves, and a white velvet collar around her neck.  Her blonde hair was pushed back by a white headband, and she was wearing whorish pink lipstick.

Each of her perky nipples had a painful clamp fixed to it, and from each clamp hung a small crucifix – part of what her manager Calvin called her “Christian girl persona”.  Only it wasn’t a persona.  Mary-Beth really was a devout Christian, and she was genuinely worried that her involvement in the girlpop group Sisterhood might mean she was going to hell.

That was why she had fought so long over the last element of her costume.

“I can’t put *that* in *there*!” she had wailed that morning.

Calvin had just told her to sit on the floor and keep masturbating, and that she wouldn’t be allowed to cum until she agreed.

She had done as she was told, weeping.  After a while, pretty pink-haired Cocktease – also known as Katy – had come over and began to softly kiss her on the mouth, and stroke her tits, and Mary-Beth had let her.  The girls lezzing off with each other was an important part of their practice, and though Mary-Beth knew it was sinful, it also made her pussy very, very wet.

Once she had started tongue-kissing Cocktease, it didn’t take her long to agree.  She needed to cum.  

“I’ll do it,” she moaned.

Calvin handed her the plastic crucifix.  The image of her saviour, the Lord Jesus Christ, was very clear on the cross.

Weeping, Mary-Beth bent over, spread her ass cheeks, allowed Cocktease to rub some lubricant into her sphincter, and then pushed the long end of the crucifix into her anus, until only the crosspiece and head was sticking out.  A bulb on the end of the crucifix made it work effectively as a butt-plug, leaving it in no danger of accidentally popping out again.

So now she was standing here, effectively nude, with crosses swinging from her nipples and the icon of her faith jammed up her ass and giving her no small amount of sexual pleasure, and the cameraman was asking her to spread her pussy.

She did as she was told, spreading her legs, then gripping her labia and pulling them open, to allow the cameraman to film her sopping wet fuckhole and cute pink little clitoris.

The thought came to her again that this was for a music video that the whole world would see.  The whole *point* was for everybody to see it.  Everybody in the world was going to see her spreading her pussy open for the camera.  With clamps on her nipples.  With a crucifix jammed up her anus.

To her horror, she orgasmed right in front of the cameraman, and then squirted onto his camera.  The humiliation made her orgasm a second time – both the knowledge that she had just been filmed while squirting, and the knowledge that Calvin was going to make her get down on all fours and lick her mess up, and the cameraman would film that too.

===

The studio was a maze of activity, with cameras and lighting equipment everywhere.  The cameramen were getting early footage of the individual girls, including the degrading intimate close-ups on their sex organs that Calvin had specifically asked for.  

Calvin was enjoying watching Little Miss Rape’s humiliation when Sex-Cow waddled up to him awkwardly, trying to get his attention.

She was nude except for a cowbell collar and cow-ear headband.  He had clamped heavy bulldog clips on both of her nipples, because she had begun to properly lactate, as all good cows should, and he wanted her to squirt milk from her nipples during the video shoot – which meant not wasting any on leakage just yet.  

He’d cuffed her hands behind her back to stop her from removing the clamps.  And then, because she kept complaining that her tits hurt because they were full of milk, and her nipples hurt because they had clamps on them, he’d put a ball gag on her as well.

Right now, she clearly had something to say, so he gave her the benefit of the doubt and removed the gag.

“Please can I have the clamps off, sir?” she said immediately, so he went to put the gag back.

“No, wait!” she objected.  “It’s Cocktease.  She’s having a meltdown.  I think she’s going to pull out of the group!”

Calvin swore.  “Where is she?” he asked.

“In the toilets,” said Sex-Cow.  She meant the men’s toilets, as Calvin had seen no reason to give the girls their own bathrooms, and it amused him to watch them trying to piss in the standing urinals.

Calvin re-gagged the protesting Sex-Cow, and headed for the bathroom.

He found Cocktease sitting in one of the stalls, on the lid of a closed toilet.  The stalls didn’t have doors, of course – Calvin was far too wise to allow the girls any privacy, or a place they could lock him out of.  He stood in front of her and looked at her.

The lesbian who had once been known as Katy looked extremely fuckable today.  Her pink hair was freshly dyed and styled.  Her face was made-up with sexy pink lipstick and subtle-yet-whorish blush and eyeshadow.  A silver lesbian-symbol earring hung from each earlobe.  A silver charm shaped like two big-ttited women kissing hung from each nipple by a clamp.  And between her legs, another clamp on her clitoris supported a single “woman” symbol, with the circle at the top of the symbol perfectly aligned with her fuckhole, suggesting exactly what a woman might be used for.  The symbol attached to the clamp was just large enough that Cocktease couldn’t comfortably close her legs all the way.

She was crying.

“What’s the matter, Cocktease?” he asked her.

She looked up.  “My name’s *Katy*,” she protested.

He slapped her, and waited.  She just kept crying, so he slapped her again.  “What’s your name?” he asked.

She knew there was no way out of this.  “Cocktease, sir,” she said, pouting.

“What’s your problem?” he asked her.

“I can’t do this,” she said.  “I can’t!  I can’t show my pussy and tits to the whole world – to my friends – to my family!  And the song says I’m a *fake* lesbian, and that I want to fuck boys!  I’m not!  I’m a *real* lesbian!  If I do this, every boy in the world will think I want to fuck them!”

“That’s exactly what we’re hoping for,” said Calvin.  “That’s called ‘being famous’, honey.”

“No!” she wailed.  “No!  I can’t!  Please don’t make me!”

“I’ve put a lot of money into developing you, Cocktease,” said Calvin. “My time and effort, too.  And film crews don’t come cheap.  And now you just want to walk away?”

“I’m sorry,” she wailed.  “I’m sorry, but I can’t.  Please don’t make me.”

He liked that she implicitly accepted that he *could* make her.  And he was tempted to.  But he saw an opportunity here – an opportunity to make the group more stable in the long-term.

“You’re just *asking* me to let you go?” he said.  “For free?”

She looked up at his face – and then down at his cock.

“Please,” she said.  “I’ll…. I know you want to…. I’ll use my mouth.  Just don’t make me do the video.”

“Are you offering me a blowjob, Cocktease?” he asked her.  “I thought you were a *real* lesbian.”

She blushed.  “I am,” she said.  “But I know you want to… stick it inside me, and I thought…”

He unbuttoned his pants, and extracted his cock – already very erect.  “Okay,” he said.  “Be a good little fake lesbian, and satisfy me, and I won’t make you do the video.”

She leaned forward on the toilet, her face red with humiliation, and put her lips on the tip of his cock.  It felt like heaven.  She recoiled immediately as she tasted his pre-cum, but he just looked at her, and soon she leaned back in, this time opening her mouth and taking the head of his cock into her mouth.

“Masturbate,” he told her.

She took her mouth off his cock.  “I can’t,” she said.  “The clamp gets in the way.”

“I don’t care,” he told her.  “Masturbate, or the deal is off.”

She moaned, and put her mouth back on his cock, and began to try to fingerfuck herself.  She kept accidentally pulling on the clitoris clamp, making her wince, and he had to struggle not to laugh at her discomfort.

She was an unpracticed cocksucker, but the pleasure of being in the unwilling lesbian’s mouth compensated for any technical inexperience.

After a while he grabbed her by her cute pink hair, and began to control her head, forcing it up and down on his cock.  She made a gagging sound and tried to struggle when he did this, but he maintained control, using her head as his personal masturbation tool, forcing his cock deep into her throat as she moaned in humiliation and violation.

He noted that her cheeks were reddening, and took additional pleasure in the knowledge that this “lesbian” was experiencing sexual arousal from her masturbation while she had a man’s cock in her mouth.

As he neared his orgasm, he stopped, and pulled out.  He used her hair to pull her to her feet.

“What…” she said, confused.

“I’m finishing in your cunt,” he told her matter-of-factly.

Her eyes widened.  “No!” she said.  “You can’t!”

“The deal was that you satisfy me,” said Calvin.  “That’s what will satisfy me.”  He used a knee to kick her legs apart, and pushed her back until she was trapped against the wall of the toilet stall.

“Please, no,” she wailed.  “Please…”

He reached behind her and lifted her up by her ass, separating her ass cheeks as he did, and then lowered her onto his cock.  He did it so that his cock went right through the loop of her female-symbol clitoris charm, and then into her sopping wet pussy.  To stop her making any more distracting protests, he kissed her on the lips too.

She cried as he raped her – from violation, from humiliation, and from the fact that every thrust of his cock pulled painfully on her clitoris clamp.  But she kissed him back – he had trained her in exactly this style of passionate kissing every day for the past fortnight – and her pussy was so wet that she couldn’t help herself.  The stimulation made her orgasm – and then a moment later, Calvin came too, firing his sperm deep into her lesbian womb.

He made her lick him clean, as she sunk to her knees on the toilet floor, weeping. 

“You won’t make me do the video?” she asked.

He nodded.  “I won’t make you,” he said.  Then he reached down and cuffed her hands behind her back – both to stop her cleaning his cum out of her pussy, because he rather liked knowing it was inside her, and because of what was about to happen.

Then he left the toilets, heading back into the studio.

“Little Miss Rape!  Sex-Cow!  Fuckpet!” he called.  “Get over here!”

The three other girls of Sisterhood assembled in front of him.  He generously removed Sex-Cow’s ball gag before speaking.

“Our little fake lesbian, Cocktease, has decided that she’s leaving the group,” he said.

“What?” said Little Miss Rape, horrified.

“Effective immediately,” said Calvin.  “And the contracts specify that Sisterhood is a four-girl group, so I’m afraid it’s over.  There’ll be no music video, no album, and no concert tour.”

“Meow?” asked Fuckpet.

“I’ll release the footage I have so far to porn websites,” said Calvin.  “And under your contracts you’ll have to pay me back for the development costs invested in you so far.”  He sighed.  “I’m sorry, girls.  I really thought you were going to be not completely worthless.  But you can always count on female stupidity to screw things up.”

“Can’t she change her mind?” asked Sex-Cow.

“She doesn’t want to,” said Calvin.  “And I promised her that I wouldn’t make her.  My hands are tied.”

Little Miss Rape looked at the others, then back at Calvin.  “You can’t… but we can talk to her, surely?”

Calvin looked surprised, as if the idea hadn’t occurred to him.  “Well… yes!  I suppose so.  I didn’t say anything to her about you girls.  If you want to go in and convince her, go right ahead.”

He paused.  “Only… i can’t afford to continue on with this shoot, and then have her pull out again.  So if she changes her mind, you need to make *really* sure that she’s not going to back out again.”

Mary-Beth was idly fingering her pussy.  Calvin didn’t think she was even aware that she was doing it.  The girls had been edging all morning, horny all day – none of them were thinking clearly.  All of them were thinking with their cunts.  

“That little slut,” Mary-Beth said.  “I can’t believe she’d do this to us.  I didn’t go through all this humiliation just so she could throw it all away.”

“Meow!” said Fuckpet.  She sounded angry too.

“I think we can convince her, sir,” said Sex-Cow.  “Could I have my hands free?  I might need them.  I promise not to take the clips off my nipples.”

“Very well,” said Calvin, and uncuffed her.  “Oh, I left Cocktease in cuffs too, so she’s very vulnerable right now.”

“Good,” said Mary-Beth under her breath, and Calvin smiled.

And with that, he left the girls alone, at the entrance to the bathrooms, and retired to his private office.

He was very glad, he thought, that he had installed secret cameras in the toilets.  Because he could go and watch – and enjoy – the footage from them right now.  And record it.  

He thought that little lesbian Katy’s first lesbian gang-rape was probably something that fans would eventually be prepared to pay a good deal of money to see…

===

If you enjoyed this story, please support me to continue creating new, free erotica by making a purchase from the ATR store! (Click here to view the store.)

===

New story! The exploited teens of Sisterhood shoot their first music video. - (Read it here.)

Story: Pop World – Sisterhood, Part 5

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Previous chapters of this story:
One | Two | Three | Four

===

Katy didn’t want to kiss him, and as far as Calvin was concerned, that was unacceptable.

“I told you to kiss me, Cocktease,” he told her as she squirmed, nude, in the dance studio while the other three girls looked on.

“But I actually *am* a lesbian,” Katy protested.  She had discovered over the last few days that the pink hair and bright lipstick that seemed so cute when she was dressed made her look like a fuckdoll when she was nude, and it made her blush every time Calvin stared at her.

“I know,” said Calvin.  “And that’s why you have to kiss me.  Your character in the group is that you’re the *fake* lesbian, remember, who secretly wants to be raped by men?  No one will ever believe that if you don’t make out with men from time to time.”

“But…” Katy objected.

“Don’t make me ask again, Cocktease,” said Calvin threateningly.

Blushing, Katy leaned in, her tits brushing against Calvin’s button-up-shirt, and kissed him chastely on the lips.

Calvin sighed, and pushed the button on his remote.  Katy’s “training clamp”, fixed painfully to her clitoris, gave her a sharp shock, and Katy squealed.

“If I don’t believe that you want to fuck me, then you’re doing it wrong,” said Calvin.  “Try again.”

Her second effort wasn’t much better than her first, although she opened her mouth a little.  He gave her another shock, and that was enough.  Her third try had all the passion her first two had lacked.  She pushed her tongue into his mouth, and let him suck on it, and he could taste her fear and humiliation, which made it extra hot.

“Good girl,” he said when it was done, and she was blushing and avoiding eye contact.  “You’re going to kiss me like that every time you say hello or goodbye from now on, and I expect it to feel like you’re desperate to be fucked.  Understand?”

“Yes, sir,” said the humiliated lesbian, and, satisfied, he let her scurry away to join the other girls.

===

Sisterhood practiced for two weeks, every day, for eight hours a day.  He had them run through their slutty debut single “Sistersluts” endlessly, practicing the lewd dance moves and degrading lyrics until the girls were dreaming them in their sleep.  The day was coming soon when they would record the music video for the song, and perform it in front of a real audience, and they needed to be ready.

And as they practiced their song, they also practiced their new identity.  Calvin had set up rules and rituals specifically to help this happen.

First, he had told the girls he expected them to arrive at dance practice sexually aroused.  “Your sexual energy is what sells the music,” he said.  “The audience can tell the difference between a girl’s who’s frigid and a girl who’s wet.  I want you to get used to dancing horny.  I don’t care how you do it, but I want your cunts to be wet when you walk into this dance studio.”

And he tested them, each morning, sticking a finger into their pussy after they had undressed, and having them suck his finger clean if it discovered fuckhoney.  It only took a couple of days of zapping the girls for being dry before they got with the program and started edging before the start of the day.

Next he would have the girls pair up.  Each girl would tell their partner what they found most sexually attractive about her.  Then the girls would kiss – a long, slutty tongue kiss – while checking that their partner’s pussy was wet with their fingers.  Then each girl would kiss the other’s cunt – not deeply, but enough to taste her wetness.  Finally, the girls would swap partners and repeat, until each girl had partnered with every other girl.

There was some hesitation about this at first, but their training clamps helped convince them.  And in any case, Katy was eager to kiss and cunt-lick the other girls, and Mary-Beth got ridiculously wet from it, despite her Christian protestations, and when Delilah tried to object by saying anything other than “meow”, her pet collar gave her a painful shock. 

Leah – who Calvin called “Sex-Cow” – was the only one who genuinely tried to protest, so he set her homework, telling her she was to arrive three hours early for each training session and spend it masturbating to lesbian porn without allowing herself to cum.  Within days, the impact on her sleep schedule and the sustained arousal had left her dazed and stupid and unable to protest, and once her slutty confusion had caused her to grab Delilah’s head during the morning ritual and started humping the poor girl’s face until she orgasmed, there were no further complaints from Leah.

The girls were expected to kiss and make out casually throughout their interactions, too, and in this area Katy was again the leader.  She would often approach Mary-Beth and kiss her, or casually touch her tits, seeming to enjoy the way that Mary-Beth blushed with shame at these interactions, and because any behaviour from the girls that suggested they weren’t lesbians was punished with a zap to their training clamps, Mary-Beth soon learned to return Katy’s affection.

Calvin was particularly pleased by the way that all the girls began to dehumanise poor Delilah – or “Fuckpet” as they increasingly called her.  Unable to say anything other than “meow” without being shocked, the pretty brunette had little to contribute to conversations, and the girls would kiss her and fondle her without asking for consent, stroke her hair as if she really were an animal, and otherwise ignore her and exclude her from their socialising.  One lunchtime he found Leah throwing a dildo across the dance floor for Fuckpet as if it were a stick, and Fuckpet, desperate for attention and approval, was scurrying to retrieve it on all fours and bringing it back in her mouth, to Leah’s delight.

Each night after practice he would take the girls out for dinner, at the “Titty House”, the strip club next door to the studio.  This was an excuse to dress the girls in a range of trial costumes, all of them slutty, and none of them fully covering the girls’ tits and pussy.  They went without panties, in short skirts, in see-through tops, with their tits falling out, showing off sideboob, or underboob, looking like walking rapebait. 

The girls objected fiercely at first, but he coerced them out the door in their slutwear and into the Titty House using the training clamps, and once the girls realised they were actually better dressed than the other woman there, they began to relax.  It was an important part of getting the girls to feel it was normal and appropriate to be dressed like a whore in public.

At the club, the girls watched strippers undress, dance, and simulate sex on stage, and each girl reached the important realisation that the dance they were learning for “Sistersluts” was more lewd and degrading than the work of professional strippers.  Seeing them realise that was delicious for Calvin, but seeing them accept that they were still going to keep dancing was even better.

At these events, he paired up Leah (Sex-Cow) and Mary-Beth (Little Miss Rape) as girlfriends.  The two would kiss and paw at each other’s tits as they watched the strippers.  Meanwhile Katy (Cocktease) sat in Calvin’s lap and kissed him as he squeezed her udders and pushed his fingers between her legs to finger her cunt.

And Delilah, of course – poor, sexy Fuckpet – sat on all fours on the ground next to them, eating her meals from a bowl, and occasionally getting a chance to lick at Katy’s pussy when Calvin forced the girl’s legs apart and beckoned Delilah in to attend to her.  He would make Delilah lick until Katy orgasmed, because he wanted Katy to get used to the experience of orgasming while kissing a man and having him rub her tits.

They were under instructions to watch the strippers on stage if their eyes weren’t needed elsewhere.  He wanted the girls to get used to staring at a woman’s tits and cunt while they talked, ate, drank and relaxed.  He wanted the sexual objectification of women to become the background noise of their life; to get them to find it natural for women to be decorations and entertainment; to see women sexually degraded and neither look away nor object.

These outings were also practice for getting the girls to identify themselves by their new names, including to any men who took an interest in them.  And most nights, he would get one or two of the girls to buy a lapdance from a girl they liked the look of – although never Katy, who would only get to look on enviously while pretending that her manager wasn’t finger-raping her pussy, and that it wasn’t making her wet.

On the last night of the fortnight, he forced the girls to go to the strip club completely nude.  It was educational for all the girls to realise that they would, in fact, step out on the street completely naked if they were told to, out of fear of the training clamp and fear of being kicked out of the group and losing their shot at fame.  Even though they only had to walk a few short metres to the strip club, it was still intensely humiliating for them, not just to expose themselves to the street, but to realise they would choose to do so, if they were told to.

Inside the club, he had another surprise for them – they were performing.  They were going to get up on stage and perform “Sistersluts” for the crowd.

They didn’t want to.  Katy cried, when he told her she had to.

“There are *men* looking at me!” she wailed.

“Good,” he told her.  “You’d best learn to get wet from that.  It will go easier on you.”

“Meow!” protested Delilah, looking at the horny crowd assembled around the stage.  Calvin ignored her.

In the end, the girls got up, and, nervous, shaking, began to sing their song.

Sister Sluts!  One, two, three, four!
Tell the world I’m a lezbo whore!
My fucktoy sisters I adore!
I lick their cunts and come back for more!
(Good girls fuck their sisters!)
(Good girls let men watch!)

The crowd went wild.  They loved these dancing teenaged lesbian sluts.  They cheered and clapped and hooted indecent propositions, and the girls on stage went crimson with humiliation – but Calvin could see that it also had an effect on them that the men *liked* them.  It may be a drunken mob at a strip club, but they had *fans*.  People enjoyed their singing and dancing.

So they sang louder, and wiggled their tits and ass harder, and Mary-Beth tried to pretend she wasn’t so wet that her slut-honey was visibly glistening on her inner thighs, and Fuckpet tried to pretend that after a fortnight of being ignored and dehumanised the attention didn’t make her deliriously happy. 

Sex-Cow – Leah – wiggled her udders on her verse, and then slapped them hard, and when she did, a little squirt of white fluid spurted from her nipples.  Her eyes widened and she almost lost her place in the song.  It was just colostrum, the pre-milk produced by a breast before real milk production begins, but it was an undeniably good sign.  Sex-Cow was beginning to lactate.

When Mary-Beth’s verse came, she shoved her microphone up her wet fuckhole just as she had practiced, and as she did, everyone could hear the amplified sound of her suddenly and embarrassingly orgasming.  Afterwards, they could see the pure degradation on her face as she licked her fuckjuices off it afterwards.

Katy sang her verse:

I only fuck my sisters ‘cos I’m craving dick
It’s only being raped that makes my pussy slick
And I will cocktease you until you use me – use me
Go on and abuse me

And as she sang she tried to avoid eye contact with the men in the crowd, not wanting to sing *to* them, not wanting to give them ideas, and it just resulted in her gaze locking on Calvin, and her face turning a pretty beetroot colour as she looked him in the eyes and begged him to rape her.

And when Fuckpet came forward and sang “meow meow meow”, the audience *laughed* – wild, cruel, uproarious guffaws – and if Fuckpet had retained any delusions that she was a human with dignity and respect, that laughter broke it down violently.  It was impossible for her to remember that she was a cute young teenaged girl with friends and a future.  It simply couldn’t co-exist with the memory of crawling naked on all fours at a strip-club, her cunt wet and her ass plugged with a tail butt-plug, as a crowd of horny men laughed at her. 

Calvin had filmed the whole thing, and over the weekend he would call the girls in for “special practice”.  He was going to make each girl masturbate non-stop, all weekend, looking at their moment of greatest humiliation that night. 

Leah would watch herself squirting milk from her nipples, while she fingerfucked herself and tried to tease more liquid from her udders.  Mary-Beth would hear the squelching sounds of her fuckhole orgasming into a microphone again and again.  Katy would watch herself beg to be raped as she stared at Calvin. And Delilah would be forced to rub her cunt while listening to that laughter, for hour after hour after hour, without release.

And by the time it was done, the girls would at last be ready to become famous.

===

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===

New story! The exploited sluts of pop idol group "Sisterhood" make their first public performance - in a strip club. - (Read it here.)

Story: Pop World – Sisterhood, Part 4

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Previous chapters of this story:
One | Two | Three

===

When the other girls in the new pop group packed up to go home after their exhausting – and humiliating – dance practice, Calvin called out to Delilah.

“Fuckpet, you stay,” he said.  “We have more work to do.  Don’t bother getting dressed.”

The nude girl blushed, and waited as the other girls put their clothes back on, said their goodbyes, and headed off to their homes.

When they were gone, Delilah said, “Sir… could you help me get this out?”  She gestured shyly to the cat-tail butt plug that hung down between her ass cheeks and brushed against her legs.

“No, Fuckpet,” said Calvin.  “Didn’t I make myself clear?  That stays in, at all times.”

“I thought… you just meant when we’re dancing…” said Delilah, trailing off uncertainly as she realised that Calvin had not meant that at all.  A mixture of horror and humiliation crossed her face.  “But… it hurts!  It’s uncomfortable, sir!”

“You didn’t think being famous would be easy, did you, Fuckpet?” asked Calvin.

“But… how do I wear underpants with this in?  Or pants?” asked Delilah, biting her lip with despair.

“You won’t,” said Calvin.  “I think it fits your character.  Short skirts only, no panties, from now on.  And your ass will get used to it eventually.  In fact, in time we’ll likely need to use larger plugs.”

Delilah’s eyes widened.  “My family – what do I say to them?”

Calvin shrugged.  “My suggestion is you say ‘meow meow meow’.  You’re a pop star now.  It doesn’t matter what your family thinks of you.”

She didn’t like that answer, he could see.  “Do I have to wear this, too?” she asked, and pointed at the cruel electrified clitoris clamp that Calvin had put on all the girls earlier – the “training clamp”, as he called it.

“No,” said Calvin.  “That probably wouldn’t be healthy.  But it doesn’t need to come off just yet.”  And, just for fun, he pressed the “shock” button on his remote.  Delilah jumped, and squealed.

“Ow!” she protested.

“Would you like the clamp to come off, Fuckpet?” he asked.

“Yes!” she said.  Then corrected herself.  “Yes, sir!”

“If it comes off, I need another way to discipline you.  Is it okay for me to slap you, Fuckpet?”

Calvin watched the momentary confusion in Delilah’s eyes.  She didn’t want to be slapped.  She particularly didn’t want to tell him it was *okay* to slap her.  But she did want the clamp off.

Her answer was too slow.  He zapped her again.  Her tits jiggled in a very pleasing way every time she got an electric shock in her pussy.

“Yes!  Yes!” she squealed.  “Yes, it’s okay for you to slap me.”

“Good girl,” he said, and slapped her across the face.  It was only a light slap, but she gasped in a very sexy way, and her cheek reddened.  While she processed the fact she’d just allowed a man to slap her face, he reached down and removed her clit clamp, and enjoyed her shriek as the blood rushed back into her clitoris in a wave of agony. 

The pain was so bad she lost her balance, and fell to the floor.  He waited for her to stand again.  When she did, she was crying, so he slapped her again.

“Stop crying,” he said.  To his surprise, she did.

“Now,” he said, “we need to work on your personality.  I’m not sure you’re really getting into the Fuckpet persona.”  He took out a video camera and arranged it on a tripod, pointing at the naked Delilah, and then set it to record.

“I’m going to ask you some questions,” he said.  “Okay?”

“Yes, sir,” said Delilah, unhappily.  She was avoiding looking at the camera, clearly embarrassed to be filmed in the nude.

“First up,” said Calvin, “did you enjoy licking up Mary-Beth’s piss today?”

Delilah’s face screwed up in disgust.  “It wasn’t piss!” she objected.  “She… squirted.”

“Oh, I see,” said Calvin.  “You drink some liquids from a girl’s twat but not others?”

Delilah blushed and was silent.

He slapped her.

“Answer my question, Fuckpet,” he said.  “Did you enjoy licking up Little Miss Rape’s piss?”

“No,” sulked Delilah.

Calvin slapped her.  Delilah squeaked.

“Wrong answer,” he said.  “Fuckpet loves licking up anything that comes out of a cock or cunt.  Now try again.  Full sentence answer.  Did you enjoy licking up your sister’s piss?”

Delilah squirmed, but she answered.  “Yes, I love licking up my sister’s piss.”

“Good girl,” said Calvin.  “Next question.  Do you love it when men rape you?”

Her wide eyes pleaded with him for mercy.  He was merciless.

“Yes,” she said eventually.  “I love it when men rape me.”

“And do you want to suck cum from a man’s cock?” he asked.

She mewled with humiliation.  “Yes, I want to suck cum from a man’s cock.”

He nodded.  “Stay there,” he told her.  He went to the camera and connected it to his phone with a cable, and did some quick work with the footage he had just filmed.  Then he took out an object from his bag – it looked like a pet collar, with some plastic attachments – and connected that to his phone as well.

A moment later, he was done.  He took the collar, stepped forward, and placed it around Delilah’s neck.  The fastener connected with a click – and then he turned a key in the fastener.

“What is this?” asked Delilah – and then squealed, as it delivered a shock to her neck.

“A modified pet training collar,” said Calvin.  “It’s going to help you.  Remember how I said that the only thing Fuckpet should say is ‘meow’?”

Delilah didn’t answer.  She was clawing at the collar on her neck, trying to get it off.  She wouldn’t succeed – the material it was made of would require heavy shears to cut, and the fastener couldn’t be unclipped without the key that was now in his pocket.

“Well,” he continued, “the collar will give you a shock if you use any human words.”

“Please take it off!” begged Delilah – and squealed as it shocked her again.

“It’s very sensitive,” said Calvin, “and very effective.  Over time, you’ll come to associate speaking with pain so intimately that you won’t even need the collar.  But you can meow, though, and it will even translate your meows!  Go on, try!”

“Meow?” said Delilah, hesitantly.

A voice played from a speaker on the collar.  It was Delilah’s voice, from moments earlier.  “I love licking up my sister’s piss!” it said.

Delilah’s eyes bugged out, and she resumed scrabbling at the collar, trying to remove it.  “Get it off!” she yelled – and then screamed as it shocked her again.

“It’s also synced with your butt plug,” Calvin continued, as if Delilah hadn’t spoken.  “It can tell when your plug is inside you.  You’re allowed to have the plug out for up to 10 minutes per two hours, to use the toilet.  If it’s out longer than that, your collar will start shocking you.”

“Nooo….” moaned Delilah – and got shocked again.

“I told you that your new persona would be something you needed to live through, not just dress up in,” said Calvin.  “This is the price of fame, Fuckpet.”

She looked at him, the full understanding of what was in store for her beginning to hit home.  She searched his face for signs of mercy.  “Meow?” she said desperately.

“I want to suck cum from a man’s cock!” said her collar.

“We’ll record some more things for your collar to say tomorrow,” said Calvin, “before you forget how to talk entirely.  But I think you’ve got a good range for right now.”

She started to cry again.  He slapped her, but she kept sobbing.  It was okay though – she was the kind of girl who looked even hotter when she cried.

“Now, last item on the agenda,” said Calvin.  He undid his fly and took out his cock, which was rock hard.  Delilah’s eyes went straight to it, staring at it in horror.

“Twice today you’ve said that you enjoy being raped,” said Calvin.  “And you’ve gotten me very hard, so I’m planning to take you up on that.  But consent is important.  If you don’t want me to rape you, you just have to say, ‘Please, Calvin, sir, I would prefer that, for tonight, you didn’t rape me.’  Those exact words.  Do you want to be raped, Fuckpet?”

“Please, Calvin, sir,” said Delilah hurriedly, between sobs  – and then gasped as the collar shocked her.

He moved closer to her, reaching out to stroke her tits.  “Try again,” he said.

“Please, Calvin…” she began, and then made a choked sobbing squeal as the collar shocked her again.

“If you don’t want to be raped, it’s very easy, Fuckpet,” he said.  “Just say the words.”  He slowly pushed her back, against the wall of the dance studio.  She jumped as her butt hit the wall, pushing her butt plug up into her anus.

“Please…” she began – and when she was shocked again, he could see her give up, her tears running down her face as she accepted what was about to happen.

“You haven’t told me not to rape you, Fuckpet,” said Calvin.  “I assume you want to be raped.”

Her mouth moved, but no words came out.  He gently spread her legs using one knee, and lined up his cock at the entry to her pussy.  To his delight, she was wet – very wet.

“Anything you want to say, Fuckpet?” he asked.

There was only one thing she could say.  “Meow,” she wept.

“I love it when men rape me!” said her collar.

“Good girl,” said Calvin, and slid his cock into her wet, virginal pussy.  His thrust banged the butt-plug against the wall again.  “It takes a very special kind of whore to not only not object to being raped, but actually say that she likes it.  But I guess you’re that kind of whore, aren’t you, Fuckpet?”

Delilah said nothing.  She couldn’t think about anything else but the feel of the cock in her pussy – the sensations of her first sex, her first rape, her humiliation, the plug violating her anus, her bare tits against an older man’s chest, the taste of another girl’s ejaculate still on her tongue.

“When I cum inside you,” said Calvin, “and I *will* cum inside you, so I hope you’re on birth control, you’re going to learn to deal with that like a good Fuckpet.  You’re going to let my cum drip out of you onto the floor, and then you’re going to lick it up, just like you did with your sister’s piss.  Do you understand, Fuckpet?”

She was telling herself this couldn’t be happening to her.  It was too degrading, too awful, too much. 

And then, without warning, she orgasmed, and suddenly she couldn’t pretend it wasn’t real.

“MEOW!” she screamed as she bucked frantically against Calvin’s cock.

And her collar helpfully translated: “I love it when men rape me!”

===

If you enjoyed this story, please support its creation with a purchase from the ATR store. Your money is what allows me to keep creating new erotic content! (Click here to view the store.)

===

New story! Pop group manager Calvin takes advantage of teen idol Delilah - known by her stage name of "Fuckpet". - (Read it here.)

Story: Pop World – Sisterhood, Part 3

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Previous chapters of this story:
One | Two

===

Calvin gave the girls a break once they’d gotten the first part of their dance routine to an acceptable level.  The dance studio they were practicing in was in the heart of a busy red-light district, and in theory they could have gone out on the streets and bought some lunch, but they discovered that Calvin had helpfully moved their clothes into lockers while they danced – and not given them a key.  Trapped in the nude, the girls blushingly took their break in the corner of the studio, and consumed the cheap sandwiches and cordial that Calvin provided for them. 

He removed their shock-training clitoris clamps for the duration of the break, enjoying their squeals of agony as the blood rushed back into their abused clits.  Delilah even orgasmed from the pain. 

And then it was back to work – and the clit clamps went straight back on again.

The song they were practicing, “Sistersluts”, was of the kind designed to introduce a new pop group, and each of the girls had a verse in which they explained their character and had a chance to win the audience’s attention. 

“Okay,” Calvin said.  “Let’s get started, girls.  You’ll each get your turn in the spotlight.  When it’s your verse, you move to the front, and do your personal routine.  When it’s not your turn, you form a line in the back with the other girls, facing the stage.  You squeeze your tits with one hand, rub your pussy with the other, and gyrate your hips.”

Katy – the pink-haired lesbian who would go by the name of “Cocktease” on stage – put up her hand.  “Rub our pussy?  Do you mean we should… masturbate, as part of the dance routine?”  She was blushing.  It made her look pretty.

Mary-Beth answered before Calvin could.  “We’ll have *panties* for the actual performance, Katy” she said.  “It’s just a dance move.”

Calvin chose not to correct her.  “Today I want to see vigorous stimulation.  It should look like your hand is making love to your pussy.  That’s what gets the audience hot.  Got it?”

“Yes, sir,” chorused the girls – except for Delilah (“Fuckpet”) who was learning that her pet-girl character didn’t speak like a human.  “Meow,” agreed Delilah instead.

They ran through the first verse of the dance again, and Calvin agreed they were significantly improved from when they had started that morning.

Sister Sluts!  One, two, three, four!
Tell the world I’m a lezbo whore!
My fucktoy sisters I adore!
I lick their cunts and come back for more!

(Good girls fuck their sisters!)
(Good girls let men watch!)

Then Leah came to the front.  The other girls took up their positions in a line behind her, squeezing their boobs and rubbing their pussies.  Calvin noted with approval that Mary-Beth was *not* just simulating masturbation, but vigorously fingerfucking herself while staring at Sex-Cow’s ass.

Mooo!  My name is Sex-Cow
My udders are so big
I’m a stupid sexy pig

Mooo!  I want to show how
If you hurt my tits it’s fun
You can cover them with cum.
You can treat me like I’m cattle
You know I’ll never tattle
That I’m a lesbian’s no lie
But you can rape and milk me till I cry

For the first part of the verse, Leah placed her hands on her hips and swung her torso back and forth, making her large breasts swing wildly.  Then she brought her hands up to slap her breasts hard – hard enough to make a noise and leave red marks – for the “hit my tits” line – before grabbing them around their bases and squeezing hard while bending forward.

As she entered the “treat me like I’m cattle” part of her verse, Leah got down on all fours, at first side-on to the audience with her tits hanging down to brush against the studio floor.  Then she turned away, aiming her ass at the audience.  She reached back with her hands and spread her pussy wide open, showing her inner pink flesh to the world – before springing back to her feet and taking her place in the line again.

“Very good, Sex-Cow,” said Calvin, grinning, and enjoying the erection the girl’s performance had given him.  This time no one asked him how Leah was going to spread her pussy if she was wearing panties.  “Little Miss Rape, you’re next.”

Mary-Beth danced to the front of the troupe.

Little Miss Rape is my given name
Lesbianism is my slutty shame
My mother says I’m going to hell
Because I lick her cunt so well

I need a man to set me straight
It’s better if it’s one I hate
You need to stick your cock in me
To rape me, cure me, set me free

She had been doing a cute, innocent dance, one finger twirling her hair, the other tracing lines on her body that drew attention to her tits and pussy.  As she came to the end of her verse, Calvin said, “Now, stick the microphone *into* your cunt.”

“What?” exclaimed Mary-Beth.

“Right inside you,” said Calvin.  “And don’t question everything I say.  Either you do it, or I take the microphone and show you how deep it should go myself.”  He gave her a shock to her clitoris clamp, to emphasise his point.

Mary-Beth squealed, blushed – and did as she was told.  Looking completely humiliated, she pushed the end of her microphone up into her fuckhole, which was extremely well-lubricated (as Mary-Beth always tended to be).  There was a squelching sound, which was magnified by the microphone over the speakers.  Mary-Beth moaned sluttily.

“Now bring it out, and lick it clean, like a lollipop,” said Calvin, “before moving to the back again.”

Mary-Beth pulled the microphone out of her twat, extended her tongue, and began licking her own slut juices off it.  Calvin had bought special microphones for just this purpose – waterproof and easy to clean.  He decided then and there, that this image – Mary-Beth licking her own cunt-goo off the microphone – was going to feature heavily in the group’s promotion.

Next came Katy – “Cocktease”.

Call me Cocktease – that’s what I am
I say I’m gay – it’s just a sham
My lips say no – but disregard
I just kiss girls to make you hard

I want you to force me
Just like you should now
And when you rape me
It feels so good now

I only fuck my sisters ‘cos I’m craving dick
It’s only being raped that makes my pussy slick
And I will cocktease you until you use me – use me
Go on and abuse me

Katy was the most talented dancer of the group, and Calvin was instantly convinced the pretty pink-haired slut genuinely wanted to be raped by men, even though objectively he knew she wanted nothing of the sort.

As she danced, she strutted sexily through the line formed by her fellow idols, stopping to make out with each one in turn.  She kissed Delilah sluttily on the lips after “I just kiss girls to make you hard” while Delilah continued to squeeze her own boobs and rub her pussy.

She bent and sucked eagerly at each of Sex-Cow’s nipples after “it feels so good now”.  Leah made a surprised, whorish squeak – Calvin imagined the girl had never had her tits sucked before, let alone by another girl, but she may as well start getting used to it.

And, finally, after “abuse me”, she dropped to her knees in front of Mary-Beth, pushed Little Miss Rape’s hand away from her cunt, and buried her tongue deep between the surprised girl’s labia.

Calvin had talked about this move with Katy in advance, and had been unsurprised when Katy agreed to it eagerly and without question.  He had said nothing about it to Mary-Beth, though, so the first Mary-Beth knew about the fact she was going to have her cunt licked for the first time in her life was when Katy’s tongue slipped between her cunt-lips and flicked over her clitoris.

Which probably explained why she orgasmed suddenly and without warning.  She was a squirter, and girl-cum immediately squirted over Katy’s face.  Mary-Beth’s face went bright red with humiliation and the realisation of what she had just orgasmed to – and then went a different colour as Calvin pressed the “shock” button on his remote, and the clitoris which had just felt so good now received an electric zap. 

After all, Mary-Beth was going to need to learn to cum on command.  He couldn’t just have her squirting randomly mid-performance.

“That’s disgusting, Mary-Beth,” said Calvin, before the humiliated girl could respond.  He normally liked to use their stage names, but on this occasion he wanted Mary-Beth to know that it was her – the real her – who was disgusting and slutty, not a costume she could take off at the end of the day.  “Cocktease delivered a perfect performance, and then gave you the *privilege* of having your clit licked – exactly like you wanted, because you’re a lesbian, remember – and you repay her by pissing on her face?”

“It wasn’t piss…” objected Mary-Beth, on the verge of tears.

“I don’t care,” said Calvin, talking over the top of her.  “Lick your sister’s face clean.  Now.”

Mary-Beth and Katy moved to one side, and knelt, and Calvin watched the blonde Christian girl carefully lick her cum off Cocktease’s face in long, loving licks.  For all that Mary-Beth claimed to think that lesbianism was evil, she got wetter, orgasmed faster, and lezzed off with more enthusiasm than even the real lesbian – provided that someone *made* her do it.

When Little Miss Rape and Cocktease were done cleaning each other, there was still the matter of the puddle Mary-Beth had left on the floor.  But that was easy enough – and even convenient.

“Fuckpet,” said Calvin.  “It’s time for your verse.  And… that puddle would be a good place to centre your performance.”

“Meow?” asked Delilah, clearly not at all eager to do as she was told.  He shocked her, and then shocked her again for good measure.

“Don’t talk back, Fuckpet,” he told her.

Blushing, she sang the only part of her verse she was required to.

Meow meow meow meow.
Meow meow meow.

The other three girls sang the remainder.

It says “Fuckpet” on her collar
We keep her in a cage
We haven’t let her speak
Since she came of legal age

She’s barely even human
She’s just a thing to fuck
She reminds us of our true natures
That lesbians are animals
Who need a cock to suck.

And as the girls sung, Delilah crawled on all fours to the puddle of Mary-Beth’s ejaculate and, like a good little kitten, began to slowly lick it up.

It was in that moment that Calvin decided that Delilah was the first of them that he would personally rape.

===

If you enjoyed this story, please support its creation with a purchase from the store! (Click here to view the store.)

===

New story! The girls of exploited teen pop group "Sisterhood" practice their humiliating individual personas. - (Read it here.)

Story: Pop World – Sisterhood, Part 2

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Previous chapters of this story:
One

===

The four teen stars of Sisterhood were blushing deep red.  None of them would make eye contact with their manager, Calvin.

That was probably because they were completely nude.

“I don’t understand, sir,” said Leah – or “Sex-Cow”, as she would be known in the group’s promotional material.  Her long brown hair framed her blushing face prettily, and in attempting to cover her exposed pussy with both her hands, her arms were squashing her large udders together in a very attractive way.  (She had tried to cover her tits, too, at first, but he had slapped at her hands and told her that her stage personality, “Sex-Cow”, would never feel the need to conceal her fuckbags.)

“What don’t you understand, Sex-Cow?” replied Calvin.

“Well… why do we need to do our dance practice in the nude?” asked Leah.

“You’re going to end up doing this dance routine in a range of different costumes,” said Calvin.  “Some of them will be very complex.  You need to learn the steps without props and clothing getting in the way.”

Leah’s brow furrowed.  Calvin’s answer made sense – but it also didn’t.  She was confused.

Calvin didn’t intend to give her time to think about it.  “Enough questions,” he said.  “Show me the steps for the first verse.  And sing it, while you dance.”

The four girls were Sisterhood, a girlpop group recruited by Calvin and his record label, and with the right marketing they would be the new worldwide sensation among teen girls (and probably teen boys, he thought, looking at Sex-Cow’s huge tits bouncing).  They would be marketed as four lesbian sisters, involved in an endless and incestuous web of romantic and sexual pairings, and Calvin was fairly sure that gimmick would get them the attention they needed to become famous.  (Because what was lesbianism about, he thought, if not trying to get attention?)

But first they needed a hit single, and for that they needed a hit song and a sexy dance routine.  Calvin had already purchased a whole album worth of songs for the girls, but the very first one would be an introduction song, featuring and introducing each of the members.  It was called “Sistersluts”, and it was an exceptionally catchy earworm.

The girls assembled into their dance formation, and took the opening pose – the middle two girls leaning forward and cupping their tits, and the ones on the outside standing legs akimbo, one hand on their hip and the other pointing at the sky.

Sister Sluts!  One, two, three, four!
Tell the world I’m a lezbo whore!
My fucktoy sisters I adore!
I lick their cunts and come back for more!

(Good girls fuck their sisters!)
(Good girls let men watch!)

“Stop!” yelled Calvin.  “Just stop!”

The girls bounced to a stop, confused.

“You’re terrible,” he said.  “You’re all terrible.  Sex-Cow, you’re supposed to *bounce* on the lezbo whore line!  That means jump – in the air!”

Leah looked pained.  “But I don’t have any support for my breasts when I do that, sir!” she protested.  “It *hurts*!”

“Of course it hurts!” said Calvin.  “Because you have ridiculous over-sized sex melons hanging off your chest!  That’s the whole reason you’re in the group!  Did you think you were going to get famous without any pain?”

“No, sir,” said Leah, pouting.

“Jump for me now,” said Calvin.  “No tit support.  Three times, as high as you can.”

Leah obeyed – and whimpered as her tits flew up and then fell down to bash into her chest on each jump.

“Good girl,” said Calvin.  He turned to Mary-Beth.  Her pretty blonde hair was already plastered against her skin, and sweat glistened attractively on her tits.  She was going to have to get fitter.

“You,” he said.  “Little Miss Rape.  When Sex-Cow and Fuckpet are singing ‘good girls fuck their sisters’, you’re supposed to be tongue-kissing Cocktease.”  He gestured at Katy, the only real lesbian of the four, with short pink dyed hair and large tits.  “Is it too much to ask that you tongue kiss this attractive bitch here?”

Mary-Beth squirmed.  “My parents always taught me lesbianism was *wrong*,” she objected.

“I don’t care what they taught you,” said Calvin.  “Your dad’s cock is going to get as hard as anyone else’s when he sees you lezzing off with a pretty bitch, and I wouldn’t be surprised if your mother gets a little wet and wishes it was her.  If you want to be famous, you do what you’re told.  Now go kiss Cocktease.”

Mary-Beth reluctantly – very reluctantly – approached the pretty pink-haired girl, and awkwardly puckered her lips.

There was nothing awkward about Katy’s response.  She passionately kissed Mary-Beth, tangling a hand in her hair and mashing her big breasts against Mary-Beth’s more petite bosom.  Mary-Beth moaned in distress – or arousal? – and when the kiss was over, Mary-Beth’s face was flushed and her nipples were visibly erect.

“Good girls,” said Calvin.  “And as for you, Fuckpet,” he continued, turning to the last of the girls, “where the fuck is your tail?”

Delilah, with her fit figure and pretty brunette hair in a braid, should have been the best dancer of the lot, but right now she looked like she was going to abandon the whole endeavour.

“I can’t wear it, Mr Calvin,” she said.  “I’m sorry, I just… can’t!”

Calvin swore.  “Like fuck you can’t,” he said.  “Sex-Cow, grab her arms and bend her over the table there.”

Sex-Cow looked stunned.

“Or you’re out of the group,” added Calvin.

Leah needed no further convincing.  She grabbed Delilah’s arms and dragged her over to Calvin’s makeshift desk in one corner of the practice space.  Delilah struggled, but Leah was surprisingly strong – and also surprisingly committed to restraining her “sister”.

Calvin grabbed Delilah’s tail from among the girls’ clothes.  It was a long stuffed felt tail, meant to emulate a cat tail.  It ended in a thick rubber butt-plug.  He strode over to the brunette, who was struggling in Sex-Cow’s grasp, and parted her butt cheeks to expose her winking anus.  He leaned down, spat on her sphincter, and then began to work the plug into her anus.

Fuckpet mewled with pain and violation, but Calvin was merciless.  The plug wasn’t that big, as these things went – Fuckpet would need to be slowly trained up to bigger ones – but it was still an effort to stuff it inside the struggling girl.  He went slowly, careful not to damage her, until at last it popped past her sphincter and showed signs of holding in place.

“There,” he said.  “And don’t let me catch you without it again.  From now on, you *always* wear the tail at practice or in public.  It’s part of your persona.  Understand?”

“Yes, sir,” said Fuckpet.

He slapped her ass.  “What did I tell you about using human words outside of song lyrics?” he demanded.

“Meow,” she said.

“That’s better,” he smiled.  Then he reached between Delilah’s legs and snapped a small clip onto her clitoris.  

Delilah bucked and screamed.

“Don’t take it off,” he told her.  “Now you, Sex-Cow.”

Sex-Cow submissively let him reach between her legs and clip a small device to her clitoris.  Her eyes watered, but she obeyed.  Then she helped him restrain Cocktease, to put a similar device on her.  Mary-Beth submitted of her own accord, and Calvin was pleased to find her cunt quite wet.  The perverted little bitch seemed to *like* being forced to do things she wouldn’t otherwise do.

“What are these?” asked Cocktease.  “Can we take them off?”

“They’re training helpers,” said Calvin.  “When you dance well, you get a reward.”  He showed them a small remote control, and pressed a button on it.  Their clitoris clamps began to buzz.  The girls’ eyes widened, and Mary-Beth moaned.  They had a little vibrator directly on their clits that they couldn’t control.

“And,” he added, “when you fuck up, you get a shock.”  He pressed another button – and all four girls squealed, as an electric shock discharged directly into their clitorises.

“Now,” he said.  “Let’s try the first verse again.”

The training devices helped immensely.  Leah feared the sharp zap in her clit more than she feared the pain in her breasts, and soon she was leaping for the sky on every bounce, oblivious to the pain in her unsupported fuckbags. 

Mary-Beth took barely any encouragement to start passionately tongue-kissing Cocktease on cue, and her pussy buzzed so deliciously when she obeyed that on only the fourth run-through of the verse Calvin saw her visibly orgasm in Cocktease’s arms, squirting ejaculate onto Katy’s cunt as Katy tongue-fucked her mouth.

Delilah tried to beg for permission to take the tail out several times, but every time she said anything other than “meow”, he zapped her, and soon she stopped using her mouth for anything other than singing and kissing.

The first time they managed to perform this part of the routine to anything that approached his satisfaction, he had them all kneel in front of him and chorus, in unison, “Thank you for shocking our stupid cunts to help us learn, sir.”  And then he walked in front of each of them and let them kiss his cock through his pants, to show their thanks were genuine.

When even Katy – a gold standard lesbian – obediently pressed her lips against the bulge in his pants, he knew that he might really have a chance of getting these four bitches to be successful after all.

“Good girls,” he said.  “Now – let’s work on the rest of the song.”

===

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===

New story! The exploited teen idols of pop group "Sisterhood" begin rehearsing their first single. - (Read it here.)

Story: Pop World – Sisterhood, Part 1

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Previous stories:
* The New Pop Idols

* Pop Star to Porn Star
* Sex Kitten to Sex Cow
* Talent Show to Teen Rapedoll

===

“Girlpop groups these days need a gimmick,” announced Calvin.

The four girls listened attentively, hanging on the attractive young producer’s every word.

They knew that this was their one and only chance at fame and fortune.  Each girl had a reasonable talent at singing and dancing, but each knew she lacked the creativity and drive to become a pop star on her own.  They had each been “discovered” by Calvin at a school Eisteddfod, or dance performance, or choir practice, and been offered the once-in-a-lifetime chance to join a four-girl pop group that would receive international marketing and promotion from Calvin’s record label, “Girl Dreams”.

It was a chance they couldn’t afford to pass up.

They were young and innocent.  They knew that pop music these days was a sexualised and occasionally embarrassing industry for women.  They had all seen the iconic footage of pop-icon Sophia being raped on-stage by her manager during her Coming of Age tour – but they also knew that moment had propelled Sophia’s album to multi-platinum status and made Sophia an icon of teen sexuality for a generation.

Likewise, they had all seen the videoclip for Sex-Kitten’s song “Take Me (My First Violation)”, which depicted her very real non-consensual gang-rape and impregnation – but the song was catchy, and every young woman knew the lyrics.  Many girls had posters in their bedrooms of the iconic photo of pregnant big-titted Sex-Kitten lying naked in hospital, sucking placidly on her own father’s cock while giving birth to her infant daughter, who she had named Girltoy (now a popular baby name among her fans).  The image was confronting and shocking – but also erotic, and sufficiently offensive to their parents to feel rebellious.

And all four girls in Calvin’s new girl group had individually gone to see the international hit Rapemelons in concert, and watched her dance nude on stage with weights hanging from her nipples and clitoris.  Those who’d made it to the front of the crowd near the stage had even had the amazing experience of having Rapemelons’ girl-cum sprayed on their faces as Rapemelons masturbated to orgasm and ejaculation as the crowd cheered.

You could see girls out in nightclubs every night now with weights hanging from their tits and cunt.  Most had the weights hang down from under short skirts and halter tops, but the bolder girls bared their privates to the crowd as “Udder Bounce” or “Rapemelons (My Tits Mean I Consent)” thumped forth from the club loudspeakers.

Every young woman wanted to be a famous fuckdoll – because pop music had taught them that, as women, they would be fuckdolls either way, so they might as well be famous ones.

“What’s our gimmick going to be, Mr Edgeway?” asked Delilah.  Her dark hair hung in an attractive braid, and she sat with her back straight and her tits out, her big brown eyes desperate for approval.  She had been a teacher’s pet, receiving straight As, and destined for a career as a doctor or lawyer – except that she had eagerly abandoned it all for the chance to be a pop idol.

“Lesbianism,” said Calvin.

The girls blushed and looked at each other.

Leah put up her hand.  She had long brown hair, and her large tits were squashed into a hoody that didn’t really fit her.  She had come from a poor background, and Calvin suspected her father abused her – which suited him fine, as it had raised Leah to be both pleasingly submissive and eager for sexual attention.

“Yes, Leah?” said Calvin.

“Mr Edgeway, I’m not a lesbian,” said Leah.

“That’s all right, Leah,” said Calvin.  “It’s a marketing angle.  That Russian duo t.A.T.u. weren’t really lesbians, but people wanted to believe that they were.  Cute schoolgirls lezzing off sells albums.  It’ll help people remember you.”

Katy spoke next.  She had short dyed-pink hair, and wore a short skirt and an anime T-shirt.  She was geeky and energetic.  “So – we don’t actually have to kiss each other?” she asked.  She seemed disappointed; Calvin was fairly sure Katy was very much into girls, and had been eyeing her fellow recruits with more than a touch of sexual interest.

“Oh no,” said Calvin.  “You *will* be lesbians.  Fake lesbianism doesn’t cut it anymore.  You’ll be outed within weeks, and that will be the end of you.  To make this gimmick work, you’ll be expected to date each other, kiss each other, and even fuck each other.”

The girls gasped.  The fourth girl, Mary-Beth, went pale.  She wore her pretty blonde-hair pushed back by a headband, and wore a blouse which she probably thought was conservative but which actually gave a very attractive view of her copious cleavage.

“Mr Edgeway, I’m a Christian girl!” Mary-Beth protested.  “Lesbianism is a sin!  God wouldn’t want me to do that!”

“I think God would want you to be successful, Mary-Beth,” said Calvin.  “And do what men tell you to do.  But if you don’t want to be a famous pop star, you can leave right now.”

There was a long silence.  Mary-Beth looked at the exit of the room longingly – but she didn’t get up, and eventually she blushed and looked down, admitting that her desire for fame outweighed her religious convictions.

“We’re going to call your group ‘Sisterhood’,” said Calvin.  “We’re going to market you as being literally sisters, who lez off with each other and love each other.”

Leah wrinkled her nose.  “Doesn’t that… kind of promote incest?”

“Leah, there is nothing wrong with sisters lezzing off with each other, as long as a man is entertained by it,” said Calvin.  “You can’t get each other pregnant, so there’s no inbreeding to worry about.  Why shouldn’t sisters make each other cum for the entertainment of men?”

The girls were all blushing.  Calvin wondered which of them were just embarrassed by the idea, and which were blushing because they were also becoming a little wet.  He could see Katy’s erect nipples poking against her shirt.  Mary-Beth had her arms crossed over her chest in a way that suggested that she was offended by what he was saying – but he noted it also concealed whether her nipples, too, were hardening.

“And finally, you’ll each need a new name to be marketed under,” continued Calvin.  “Every girl in a pop group fills a role – and by role, I mean they fulfil a male fantasy.  A man should be able to look at Sisterhood and instantly work out which girl he wants to rape most.”

“Leah, you have the biggest tits, so you’ll be Sex-Cow,” Calvin said, enjoying Leah’s blush at the demeaning name.  “We’ll get our experts to help you start lactating so that your tits will swell even bigger and you can leak milk through your costumes.  We want to sell you as the life-support system for two truly amazing fuckbags.”

He turned to Mary-Beth.  “You’re obviously our churchgoing good-girl, so you’ll be Little Miss Rape.  You’re going to be a chaste little virgin and talk so much about how you don’t want to be raped that no one can think of anything else except forcing you down and impregnating you.”

Mary-Beth squirmed.  She *was* aroused, Calvin was suddenly sure.

“Katy, you’ll be our fake lesbian,” Calvin continued.  “Your name will be Cocktease.  You’re going to be the one in the group that secretly wants a hard cock in her pussy, and just lezzes off with girls to get male attention.  The more you pretend to be a lesbian, the more men will want to rape you.”

“But…” Katy said, distressed, “I actually *don’t* like men that way.  I mean…”

“That’s right,” said Calvin, interrupting her.  “Exactly like that.  And Delilah, you’re going to be our pet.  We’re going to always have you in cat ears or puppy tails, and crawling wherever possible.  We want people to dehumanise you, and fantasise about all the most degrading things to do to you.  Your name will be Fuckpet.”

“But…” protested Delilah.

“No, no,” said Calvin.  “Make animal noises.  If you’re upset, make a sad little meow.  Can you do that?”

“Meow,” said Delilah, sadly.

“Perfect,” said Calvin.  “In no time at all, we’ll make you role models to an entire generation of women.”

===

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===

New story! Four girls desperate for fame allow themselves to become the exploited and degraded stars of a new girlpop group. - (Read it here.)

Story: Talent Show to Teen Rapedoll

This story is set in the Pop World universe. You can buy the first 60-page collection of Pop World stories for only $3.99 USD in the store – and your purchase supports the creation of new, free stories! (Click here to view.)

Other Pop World Stories:
The New Pop Idols | Pop Star to Porn Star | Sex Kitten to Sex Cow | Talent Show to Teen Rapedoll

And the Pop World universe continues in the novella “Sisterhood”!
One | Two | Three | Four | Five | Six | Seven

===

“Okay, sugar, so you’ve got a voice,” said the man in the suit.  “But pop music is all about branding.  You’ve got to have an identity.  You’ve got to be memorable.  If you’re not memorable, you’re nothing.  Are you willing to do what it takes to be memorable?”

“Absolutely,” said Alana, and she thought she meant it.  But she had no idea what “being memorable” really involved.

The man in the suit was called Callaway, and if he had a first name, Alana hadn’t learned it.  He drank like a fish, although he never seemed to get drunker than “unpleasantly surly”.  He never called women by their name – they were always “sugar” or “honey” or “babe”.  He spent money like it was meaningless, casually ordering wines and meals that Alana couldn’t have afforded in a month working her old job as a waitress, and he spoke in a way that suggested that there was no question that what he wanted was going to happen.  But for all his money, none of that value seemed to rub off on Alana.  He held meetings with her in ratty, messy offices; in car parks in industrial areas; in trailer parks.  Callaway might be rich, but somehow he always made Alana feel worthless.

He was Alana’s prize, in a way – although she already had the sense that she belonged to him more than he belonged to her.  Either way, though, he was going to make Alana’s dream a reality.  He was going to make her a pop star.

Alana had auditioned for the most recent season of Teen Sirens, a nationally broadcast talent show where young women competed to show off their singing, dancing and sex appeal.  Alana had battled through the rounds, impressing the judges with her genuine singing prowess, and blushing her way through the striptease and pole-dancing rounds with enough success to reach the last round.  In the season finale, she had delivered a powerful performance of Sex-Kitten’s hit song “Take Me (My First Violation)”. 

“Make me,” she had crooned.  “Rape me.  It’s what I was born for.”  And though she hadn’t shown as much skin as the other performers, nor thrust her groin and tits as provocatively, her slight virginal blush at the lewd lyrics she was singing was somehow even more erotic, and the judges had overwhelmingly proclaimed her the year’s “Teen Siren”, and given her the coveted first prize – a three-album recording contract.

She had had no hesitation in signing the contracts.  She agreed to record the albums, to work the promotional tours and concerts, and to adopt the name and branding that the record label chose for her.  And in return she was guaranteed three nationally-promoted albums.  She would be a pop star.

It was a dream come true.

Like most girls, Alana had grown up wanting to be a pop star.  The industry spent billions of dollars every year promoting young women in skimpy costumes with catchy songs, telling girls that they could be rich and glamorous if only they acted like cockteasing whores. 

With the advent of the internet, and new censorship-free channels for distributing content, the teen music market had become even more sexually explicit.  Teen idols like Sophia and Sex-Kitten had made history by having explicit hardcore sex in their music videos and on stage at concerts.  Some people even said that the sex was non-consensual – that Sex-Kitten’s videos showed her actually being raped.  To Alana that just made these stars even cooler – they were willing to do anything for their art, no matter how edgy.

It wasn’t that Alana wanted to be a slut like Sophia or Sex-Kitten.  She was still a virgin, and she blushed when she talked about sex.  But part of the allure of her pop music heroes was their shamelessness.  She was embarrassed by how embarrassed she was by her own body.  The pop music sluts embodied a fantasy of breaking free from that shame.

And she saw how her male friends responded to the videos.  She saw their erections when a Sex-Kitten video played on television or the internet.  Girls who acted like sluts got *attention* from boys.  They got *approval*.  Everything about the world told Alana that this was how she should be, that this is how she should behave.

On one wall of Alana’s bedroom hung a large poster of Sophia from the “Ready To Breed” album.  In it, Sophia wore adorable kitten ears – and absolutely nothing else.  She lay nude on a bed, her pussy towards the camera.  A large microphone was stuffed into her fuckhole, and semen was visibly leaking out of her cunt around it.  She was smiling seductively at the camera.

On the other wall was a poster of Sex-Kitten.  It showed her pouting, sexy face, with the text “The Face of Rape: How Sex-Kitten Made Raping Teenagers Cool Again”, referencing a famous article from early in her music career.

Alana didn’t think twice about hanging the posters.  All her friends had them up.  They were just another step in the long tradition of sexualised media encouraging otherwise heterosexual girls to decorate their lives with hardcore female-degradation porn and consider it normal.

And now she was going to follow her idols into the industry.  She was going to be memorable.

===

Callaway didn’t bother to tell Alana much about the “exciting new brand” he had planned for her.  He just dragged her around to meetings, where he spoke in industry jargon about subjects Alana didn’t understand, while she felt stupid and tried to look pretty.  He took her to appointments with big-titted bimbos who examined her and photographed her, taking measurements of her bust and her hips.

Finally he took her to a nondescript building with a sign that labelled it only as “private clinic”.  Here, a man in a white coat gave her two large pills and a cup of water and said, “Take these.”  Too embarrassed to admit that she didn’t know where she was or what she was doing there, Alana just took the pills without complaint…

… and the next thing she knew, it was three days later, and she was in a hospital bed, naked.

She was horrified.  She barely recognised herself.  She saw her tits first, of course – it was hard to see past them, in fact.  They were each the size of a large rockmelon, just slightly too big to fully enclose using both hands.  They were round, firm, and obviously fake, and they looked ridiculous on her otherwise slender teenaged body.

Later, when the doctor brought her a mirror, she saw the other changes.  Her hair had been dyed a slutty platinum blonde, and her pussy hair had been completely removed.  The doctor told her they had used a laser, and it would never grow back.  And her clitoris had been pierced and a gold ring put through it.  The ring was too large to comfortably sit between her cunt-lips, and so it sat outside them, against her pubis – which had the effect of constantly stretching her clit in a way that was painful and distracting.

“Over time, your clit will lengthen until it naturally pokes out of your pussy lips,” the doctor told her.  “And you’ll find it will become more sensitive as a result.”

They wouldn’t let her leave the bed – she needed rest – and a couple of hours later, Callaway came to visit.

Alana blushed as he stared at her naked, surgically-improved body.  She tried to cover her tits, but immediately realised that trying to cross her arms over them just drew attention to their size.

“Looking good, girl,” said Callaway.  “This is a good start.”

“Why?” asked Alana.  “Why did you do this to me?”

“Pretty brunette teenagers are a dime a dozen,” said Callaway.  “Men see them and forget them.  But sex-puppets – men remember them.  They watch them, and don’t look away.  You’ll get attention now.”

Alana’s face burned with embarrassment.  She had never really thought about the idea that being famous might mean changing who she was, and what she looked like – and certainly not that it would change her *body*, and make her look like a whore…

===

But if she was unhappy with her new body, she was even more unhappy with the rest of her new branding.

She discovered that she was going to be marketed under the name “Rapemelons”.  That was how the world would know her.  And all the branding was going to emphasise the size of her fake tits. 

Other aspects of her needed to change, too.  Her speaking voice needed work.  Callaway hired her a vocal coach to train her – and made her do her lessons topless, as he said the coach offered a discount if he got to stare at his students’ fuckbags while he taught.

The vocal coach was effective.  He used a shock collar to train her.  Her singing voice remained unchanged, but she learned to make her speaking voice higher pitched, breathier, quieter.  She was taught to raise her voice at the end of sentences to turn them into questions for a man to answer, rather than statements or opinions.  She was trained out of her natural deep, throaty laugh, replacing it with a childish giggle.  She was taught to say “girl” instead of “woman”, to describe her opinions as “feelings” instead of “thoughts”, and to call men “sir”.

Every mistake was punctuated with a sharp shock from the shock collar.  Before long, using her old voice was as impossible for her as fitting her tits into a C-cup bra. 

And through it all, the voice coach would stare at her tits as he spoke to her.  He never once looked her in the eyes.  By the end – humiliated, repeatedly shocked, feeling her identity profoundly changing day by day – she had the oddest feeling that her tits *were* who she was, that the coach was talking to them and looking at them because they were where her identity resided – not in her brain, but in the implants that made her new fuckballoons bulge…

But Alana also got to get on with the real work, of recording music.  She spent most days in the recording studio, practicing and developing the songs that Callaway had had commissioned for her.

She didn’t greatly like the thrust of the songs, though.  They weren’t really any lewder than the greatest hits of Sophia or Sex-Kitten, but something about knowing they were *her* songs, and that she would be identified with them, made her embarrassed.

She raised it with Callaway one day.  “Do I have to sing this one, sir?” she said.  The name of the song was “Rapemelons (My Tits Mean I Consent)”.

“Of course you do,” said Callaway.  “That’s going to be your first single.  It’s going to establish your brand.  We paid a lot of money to have that written.”

“It’s degrading!” objected Alana.

Callaway paused, and took a drink from the tumbler of bourbon he was holding.  “Are you saying you refuse to do it?” he asked.

Alana paused, and then decided to try her luck.  “Yes!” she said.

Callaway sighed.  “That’s a breach of contract, sugar,” he said.  “Very unwise.  The contract clearly states if you unequivocally refuse to perform your obligations, we have the option to terminate the contract.  If that happens, you get no further albums or promotion from us, we own outright anything you’ve made so far, and you’re obliged to repay us the full cost of your breast surgery, promotion, and recording time, which currently stands at around five million dollars.”

Alana bit her lip in shock, and then said, “No, wait…”

“Or,” said Callaway, “we can set up a little internal discipline, just you and me.  You can agree that I can punish you without tearing up the contract, whenever it’s necessary, and then you change your mind and do the song, and we don’t speak of this again.”

“Punishment?” asked Alana.  “What do you” –

“Don’t ask questions, cunt,” said Callaway.  “If you’re not willing to take your punishment, you can tell me to rip up the contract whenever you like.  And if you don’t want me to do that, then you accept what I give you, understand?”

“No!” said Alana.

Callaway sighed again – and slapped her across the face.

“You want me to rip up the contract?” he asked her.

Alana clutched her face.  “No…” she said.

Callaway looked at her.  Her hands were protecting her face – so he slapped her breasts, hard.

Alana squealed, and covered her large tits.  Callaway slapped her face again.

“You want me to rip up the contract?” he asked her again.

“No, sir,” whispered Alana.

“Then you need to take your punishment,” Callaway said.  “Strip naked, lie on your back on top of that table, and spread your legs as wide as they’ll go.”

Alana cried as she did as she was told.  She was so sure Callaway was going to rape her.  She was going to lose her virginity as punishment for being a stupid brat.  She was so lucky to get to be a pop star.  She couldn’t believe she had almost thrown it away for a tantrum.

She blushed as she spread her cunt to Callaway.  She knew any moment now he would take out his cock and push it into her….

But he didn’t.  Instead, he slapped her, on the pussy, hard. 

She gasped.

He hit her again.  And again.

All told, he hit her twenty times in the cunt before he stopped.  And when he was done, he wiped his hand clean on her face, and it was only at that point that Alana realised she was wet – soaking wet – and he had just wiped a thick goop of her own pussy-juice onto her face.

Then he walked away.

Complex emotions warred in Alana.  Shame at her own difficult behaviour that had led to the punishment.  Shame at becoming aroused.  Pain – her pussy was throbbing, and she thought it was bruised.  Gratitude – genuine gratitude – to Callaway for spanking her cunt instead of raping her, and gratitude for being allowed to have a second chance at all rather than just voiding her contract.  And a sense of humiliation that Callaway *hadn’t* raped her.  Didn’t he want to?  Wasn’t she pretty enough?  Was there something wrong with her cunt.

She didn’t know what to do with any of it.  But her hands did.  Quite without thinking about it, they reached down to her pussy, and began tugging on her clit ring.  Tug.  Tug.  Tug.

And then suddenly, entirely without warning, she orgasmed.

===

Alana recorded the album, which would be self-titled “Rapemelons”.  It featured her nude on the cover, naked from the waist up, attempting to cover her oversized fake tits with her hands.  Alana blushed when she realised everyone she knew would see that image – would see her slutty new fuckbags.

But really, the image was the least embarrassing thing about the album.

The title track was “Rapemelons (My Tits Mean I Consent)”.  In the videoclip, Alana walked down the street of a red-light district in a tiny schoolgirl outfit, with high heels and no underwear.  The white button-up shirt was far too small for her giant udders, and bulged obscenely, and her erect nipples and round brown areolae could be seen through the semi-transparent fabric.

As she walked and sang in the clip, she moved past other big-titted girls – and each time she did, she would grab them by the tits or the hair, spin them towards her, slap them across the face, pull off their shirt to expose their tits, and then hold them while nearby men approach them, unzipping their flies and pulling out their cocks.  Only once the men had grabbed the clearly-distressed big-titted woman – obviously about to rape her – would Alana skip on down the street towards the next girl.

Fuckbags
Cumrags
My giant boobs are just your sex-toys.
Udder, teat
Fun to beat
I only hope I’m fun for you, boys

Rapemelons!
My tits mean I consent!

It’s not me that big tits are meant to please
It’s not fair to let me be a cocktease
I made them big so that I’d be fun to screw
My thoughts don’t matter
The only thing that matters here is *you*.

The video ended with a man grabbing Alana and ripping off her shirt, implying she was about to be raped herself.  It took three tries for Alana to capture the right look of slutty excitement when this happened to her, as if it were making all her dreams come true.

During the shoot, Alana was worried she might *actually* be raped – she remembered those rumours about Sex-Kitten’s non-consensual sex – but nothing worse happened to her than being forcefully stripped.  And her naked boobs didn’t even appear in the final cut.  “You’ve got to build anticipation,” said Callaway, when Alana asked.

That anticipation led to her second single, “Unwrap My Gift”, a slow, sultry ballad.  In the videoclip, Alana sat in her chair, topless.  Her huge tits looked even huger, because they were covered in layers and layers of wrapping paper, sticky-taped in place so as to constrict the base of her tits.  As she sang, anonymous hands from off screen slowly peeled the layers of wrapping off her breasts.  As they removed each layer, they held it up to the camera, showing that it was a photo of a woman having her clothes non-consensually ripped off her in public.

I only wear these clothes, sir
So you can pull them off, sir
I only hide my shame, sir
So that you can make it known, sir

My body is a gift that I’ve wrapped for your erection
If I end the night unopened I’ll weep at my rejection
You only want to rape me because of what I chose to wear
The wrapping on the present’s only there for you to tear

Unwrap my gift
Expose me.  Open me up.  Own me.
Unwrap my gift
If I didn’t want this dress ripped off me
I never would have dressed so slutty

The video ended with the last wrapping come off and exposing Alana’s big, naked, fake tits to the world – and revealing words written across her cleavage reading, “I want to be raped.”  As her breasts came into view, Alana threw her head back orgasmically, as if the very act of having her breasts bared had made her cum.

But it was her third and last single off her first album that really embedded Alana in the public consciousness.  It was called “The Udder Bounce”.

“Every great pop star has a dance move,” said Callaway to Alana as he explained it.  “Vogueing.  Twerking.  Moonwalking.  Whatever the hell you call that thing Lady Gaga does.  Yours is going to be the Udder Bounce.”

The dance was simple.  It was designed to be performed in a low-cut top that exposed most of a girl’s cleavage.  The whole dance was performed with her hands on her ass cheeks, spreading them apart as if for a man’s cock.  She would then bend forward at the waist, and thrust the whole upper half of her body back and forth violently.  It looked a little like she was being fucked from behind.  It made her heavy tits swing back and forth beneath her – and almost inevitably, it would cause them to burst free of her top, into public view.

If that didn’t expose them, the next step usually did, which involved straightening up, her hands still on her ass, and then jumping up and down on the spot.  If her tits weren’t yet exposed, they would bounce cheerfully into view.  If they were already exposed, the bounce would be a little painful.

And then the third step was to stop jumping and gyrate the upper body, making her tits swing in circles.  Then, if needed, the dance went back to leaning over and thrusting.

The lyrics barely existed.  The heart of the song was a thumping, sexual grind.

Giggly, jiggly
I swing my tits – tits – tits
I swing my tits – tits – tits
Udder Bounce!
Udder Bounce!  Bounce!  Bounce!
Good girls bounce
Good girls bounce

The clip for the Udder Bounce was a traditional dance video, with Alana in a short skirt and tube top, supported by a squad of big-titted back-up dancers.  She led the troupe in the steps of the Udder Bounce, with her tits bouncing free of her top in the first verse.

She had been embarrassed enough by the dance, but she balked when costuming approached her prior to the next set of shots.

“What are they for?” she demanded.

Callaway strode over and took the two metal devices off the costuming lady.  “They go on your nipples,” he told her.  “We clamp them on, and the weights hang down.”

“But won’t that hurt, sir?” she asked.  What she had wanted to say was, “That will hurt!”, but she automatically rephrased it as a question, directed to a man.

“Probably,” said Callaway.  “But it will be memorable, and that’s important.”

Alana tried to resist, but Callaway pushed her hands away, and clamped the weights onto her nipples.  They DID hurt.  The clamp itself was painful, and hanging from each clamp was about a half-foot of chain with a heavy metal sphere the size of a golfball hanging from it.

And, as she soon discovered, it made the Udder Bounce MUCH more painful.  Each thrust of her tits made the heavy balls jerk on her nipples.  She was already biting her lip by the time she got to the bit where she was supposed to jump.  On the first jump, the balls flicked up – and then jerked downwards.

Alana screamed and clutched her tits.

“No, this won’t do,” said Callaway.  “You’re just going to have to work through it, Rapemelons.”

“Please,” wailed Alana.  “I don’t think I can, can I, sir?”

“Yes, you can,” said Callaway.  “If you need help, you can have a 20 minute break to masturbate.  You’ll find endorphins help with the pain.”

He wouldn’t let her take the clamps off while she was on the break, but she slunk away to her changeroom, and obediently began to finger her pussy.  After about 10 minutes, she was very wet, and the pain didn’t seem to be so bad.  She went back out to resume the shoot.

It was still agonising to do the Udder Bounce with weights on her tits – but now that she was aroused, it was also kind of good.  Or at least, each burst of pain made her pussy pulse needily.  She almost enjoyed gyrating her torso to make the balls drag her breasts around in torturous circles.

The very last shot of the music video involved Alana jumping off the edge of a six-foot-high stage.  She kept instinctively trying to cup her tits, or support the weights, as she approached the jump, so in the end Callaway had to cuff her hands behind her back.

And when she jumped, it was far worse than she had thought.  The shock of the landing made the weights first feel like they were ripping her tits off entirely – and then the clamps let go, and the weights fell free, bouncing off the floor. 

And that was when the blood rushed back into her abused nipples, and the pain of that was exponentially worse than everything that had happened so far.

Alana screamed, and fell to the floor – and orgasmed.  Her skirt flipped up as she fell to expose her naked pussy – she was wearing no underwear.  Her tits bounced wildly.  Her body spasmed.

The footage of Alana basically nude and orgasming from pain was used in the music clip – and it became so iconic that posters were printed of it, and T-shirts.  Almost overnight, everyone had heard of Rapemelons, and when they thought of her, they thought of her orgasming from pain.

===

The album was a huge success, and a concert tour was immediately planned. 

“Callaway, sir,” begged Rapemelons.  “The choreographer says I’m going to do the entire show topless, with those weights on my tits.  I’m not sure I can bear that pain.  Please, can you do something?”

Callaway could indeed do something.  Alana had of course wanted him to forbid the weights, but instead he hired her a “breast pain tutor”, and for the next month Alana spent an hour every day having her tits brutalised to accustom her to the pain.  She was required to masturbate to the edge of orgasm before every lesson, and then she would be tied up, and the tutor would slap her tits, put clamps on them, pull on them, milk them, whip them with a belt, constrict their bases, apply suction to the nipples, and pierce them with small, short pins.  At the end, Alana would be required to complete her masturbation until she orgasmed.

At first these were pure torture for Alana.  But as time went on, she began to associate the sexual arousal with the pain, and then get the two sensations confused, and by the third week she began to find herself orgasming, entirely without direct stimulation of her cunt, just from having her breasts struck with a belt.  By the time the lessons were complete, Alana found to her horror that it was now incredibly difficult for her to reach orgasm if her boobs weren’t in pain.  If she was masturbating in private, she would slap her own tits as she fingered her cunt, and she sometimes wore the weighted clamps now for short periods even when she wasn’t required to.

When the time came for the concert, Alana felt ashamed and humiliated to see her fans.  They were girls her own age, but many of them had fake tits, big and obvious like her own.

“Aren’t they great?” Alana overheard one fan saying to another.  “None of my clothes fit anymore.  They’re just like Rapemelons has!  All the boys I’m friends with have erections around me all the time now…”

She saw girls wearing her official merchandise.  There were shirts with pictures of her orgasming from pain.  There were short white shirts that came down barely as far as a girl’s nipples with “GOOD GIRLS BOUNCE” written on them in pink.  Other shirts said “MY TITS MEAN I CONSENT” or just “CUMRAGS”.

She saw a teen girl completely topless, clearly embarrassed, her arms crossed in humiliation over a pair of fake tits.  “That boy just ripped my shirt off!” she was protesting.

“Sure,” said her friend, “but if you didn’t want it ripped off you, you shouldn’t have dressed so slutty.  And it means he *likes* you!  You should go ask him out!”

Elsewhere she saw a boy leading a girl on a leash.  The girl was nude and wearing a ball-gag.  Weighted clamps just like Alana’s hung from her oversized tits – official merchandise, Alana realised – and the leash was attached to a ring through her clitoris just like Alana’s.  The girl looked completely horrified and humiliated by her situation.

One of the boy’s friends laughed and said, “Is she, like, consenting to this?”

The boy with the leash replied, “She consented to this when she got the fake tits.  Besides, girls are hotter when they cry.  You should see her when I masturbate onto her face while watching Rapemelons videos and telling her how Rapemelons is hotter than she is.”

At the edge of the crowd, by the dimly lit port-a-loos, Alana witnessed two girls stripping one of their girlfriends naked, and then holding her down for two men to rape.  Just like in the video for her first single.  The victim had her panties stuffed into her mouth and was making muffled objections; her friends were laughing like it was the funniest thing in the world.

Alana had done all this.  She had been a role model for all of these people.  Girls were getting ridiculous plastic fuckbags and helping their friends to get raped because of Alana.

She might have cried, but soon she would have to put on her tit clamps and do the Udder Bounce on stage, so she started masturbating instead, and let all the guilt just float away into a haze of lust.

===

Everyone agreed that Rapemelons’ first concert was amazing.  She danced and bounced, and the nipple weights jerked her fuckbags this way and that.  She performed “Rapemelons”, “Make Me A Cow” and “Perfect Woman” – though she was crying with pain by the end of them – and then she did a memorable rendition of “Boobs Not Brains”.

Nothing intelligent would look like me
A sex-doll to cum in is all I can be
When you take out your cock it’s all I can see
I deserve to be raped for my stupidity

After the intermission, Rapemelons came back on stage completely nude, and openly rubbing her pussy.  She was followed by a man – her manager, Callaway – who was holding another of her nipple weights.  Her eyes widened when she saw him, and she tried to back away, but her back-up dancers grabbed her and held her – just like in the music video for “Rapemelons”! – and Callaway advanced – and clipped the weight to her clitoris ring.

The crowd went wild when Rapemelons shrieked in pain – and then even wilder when her manager pushed her down onto all fours, took out his cock, and began raping her cunt in front of the entire crowd.

And then, just at the point where the crowd were wondering if this was all part of the show or not, Rapemelons began to sing as she was being raped – and of course, it was the last ballad on the album, “I Deserve This”.

I hate every little bit of this
The degradation; the pain; the shame
It’s breaking me down, making me nothing
But I know
I deserve this

When I wore that slutty dress, I made this happen
When I knew you wanted to fuck me, and I did nothing
When I gave myself these giant cow-teats
only good for pain and raping
I made a choice
I wrote my fate
I deserve this.

And I know
I deserve this.

I hate every little bit of this
But I have to thank you, sir
Because I deserve this

When the song was over, Callaway stood, and then Rapemelons stood, shakily, and the cameras made sure the giant video screens showed a close-up of her cunt, with fresh cum dripping from it.  Callaway had orgasmed, but Rapemelons had not.  Her fingers immediately went to her fuckhole, pushing Callaway’s cum inside her as they desperately probed her vagina, looking for satisfaction.

“That was the first time I’ve ever had sex,” said Rapemelons in a hoarse voice as she masturbated.  “I just lost my virginity on stage, in front of all of you, being raped for your entertainment by a man I hate, and I didn’t even get to cum.”  She sounded like she might cry.

Callaway whispered in her ear.  Rapemelons took a deep breath, and then said, “And that’s what every girl should do!  I want all my fans to go out and get raped by men they hate!”

There were ecstatic cheers and whistles in the crowd – and their volume increased as the band started up with the opening riffs of “Udder Bounce”.

Rapemelons started to cry then – but she hit every step of her choreography.  When she thrust her tits, it wasn’t only the nipple weights that tortured her now, but also the clit weight.  And when she had to jump, her vocals turned into a scream of agony that just made the crowd even more vocal in their appreciation.

===

Rapemelons orgasmed five times from pain in that song alone.

She knew, because Callaway made her watch the recording of it that night in her trailer, after the show was over, as he raped her again.

“If you can orgasm from being raped and watching your public degradation before I ejaculate into you,” he whispered in her ear, “then I won’t order the weights made 25% heavier for the next concert.”

She didn’t think Callaway expected her to succeed – and so she was very proud and self-satisfied when she *did* manage to orgasm from her pain and degradation, moments before Callaway fired another load of sperm into her unprotected womb.

“This is all my dreams come true,” she whispered to herself as she felt her manager’s cum drip out of her pussy into the bed she would be sleeping in. 

After all, she knew that every girl in the country would do anything to be exactly where she was right now…

===

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Alana follows in the footsteps of her idols, and embarks upon a career as a pop star - and as a fuckdoll and sex object.