Lexi was very active in university feminism, but she should have been paying more attention to her friend Erika’s life; if she had, she might not have agreed so quickly to help Erika with “an art project with a feminist theme”. She might even have realised that the last two men she had fucked were both men Erika had crushes on.
The first stage of the production, Erika told her, was simply to watch a video in a dark room for a few hours, and then afterwards Erika would ask her for her honest reactions. The video was hypnotic, though, and soon Lexi fell into a deep trance. After a while, Erika came in, and began speaking to Lexi in a droning but authoritative voice, telling her all about her part in the art project.
It debuted the next week, entitled “Modern Whore”. Visitors to the piece passed through an antechamber where giant screens featured video of Lexi in her everyday life – dressed well, pretty, professional, discussing the need for women to be independent and free.
Passing through this room, visitors would come to the main exhibit – Lexi herself, perched nude on a podium, her tits and cunt bare to the world. She had a desperate, humiliated look in her eyes, and would whimper occasionally, but per her hypnotic compulsion would not move or cover herself.
Tables against the walls held a variety of intimate items – pink lingerie, dildos, butt plugs, a dog collar and leash, nipple clamps – and small screens above these tables showed Lexi trying on each of these items for Erika under hypnosis, always nude, always with a blank, stupid expression on her face, often while masturbating.
A taped recording of Lexi’s voice played constantly, responding under hypnosis to Erika’s questions. In the first tape, Erika had asked her to describe her most degrading sexual fantasies in detail, with particular emphasis on the least feminist ones, and Erika talked at length about her secret desire to be raped, to be spat on, to be kept as a slave. In the second, Erika had told Lexi to speak at length about reasons why women deserved to be sex objects, whether Lexi believed it or not, and Lexi launched into a long discussion of the relative stupidity of women and their proper place in the world as sex toys for men. In a third, Lexi narrated every embarrassing secret she knew about her best female friends and then described in detail how they should be raped, before going on and suggesting specific degrading sexual services she might offer to named men she knew. The fourth tape was just Lexi repeatedly saying, “I am a stupid cunt,” punctuated by moaning noises that made it clear she was masturbating while it had been recorded.
Erika had hypnotically primed Lexi to be aroused by her own humiliation. Throughout the day she would get wetter and wetter as she got more miserable. Occasionally a bell would chime, which gave Lexi permission to start begging the visitors to the exhibition for permission to masturbate. If someone gave her permission, she would rub her cunt in front of them, blushing furiously, until she reached orgasm, then lick her hand clean and resume her original position until the next bell gave her further release.
At the end of each day, Erika would come and show Lexi the articles that had been written about the exhibition – “Prominent Feminist Reveals Self As Slut”, “Truth About Women Revealed By Art”, “Women As Animal: New Art Explores Worthlessness of Females”. She would tell Lexi some of the people she had invited to see the exhibition over the next few days – Lexi’s father, Lexi’s brother, Lexi’s primary school teacher, the women Lexi most respected in the feminist movement – and then she would have Lexi lick her cunt, before locking the bitch in a dog cage until she was needed to begin the next day’s showing…
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